Recently watched: Rent-A-Cop (1987). When Burt Reynolds and Liza Minnelli were originally teamed for the 1975 film Lucky Lady, the result was a notorious and expensive mega-flop. So, I could kiss on the lips whoever approved reuniting the duo for crime thriller / romantic comedy hybrid Rent-A-Cop, the acme of gleefully enjoyable 1980s schlock.
When a police sting operation goes horrifically wrong, gruff tough-as-nails Detective Tony Church (Reynolds) joins forces with kooky free-spirited escort girl Della Roberts (Minnelli). Della, you see, witnessed the carnage and is the sole person who can identify masked gunman Adam "Dancer" Booth (played by James Remar. Sex and the City fans will recognise him as Samantha Jones’ on-off boyfriend Richard Wright. Remar also made his share of good movies, like The Warriors, Cruising (both 1979) and Drugstore Cowboy (1989)). But not if Dancer kills her first! Or, as Rent-A-Cop's tagline exclaims “There’s a killer on the loose and the lady is the target.”
Inevitably – after some wacky hi-jinks - the sparring odd couple of Tony and Della gradually fall in love. Aside from a cameo appearance in The Muppets Take Manhattan, this represents Minnelli’s first screen role after a gap of five years following her highly publicized stint at the Betty Ford Clinic (her previous major part was Arthur in 1981). Awash in sequins and mugging furiously, this is certainly Minnelli at her most “Minnelli”. Della’s sex work is depicted as a wholesome TV sitcom-friendly lark (she offers her johns the gamut of “his mommy, Little Bo-Peep, or Helga the Bitch Goddess”. It should be noted that the same year, Minnelli’s peer Barbra Streisand also unconvincingly played a high-price prostitute in Nuts).
Anyway, Rent-A-Cop abounds with “what-the-fuck?” moments: Dancer inexplicably performs a sweaty homoerotic Flashdance-style number in front of a mirror. A bewigged drag queen at a nightclub accosts Della with “I love your muff!” Guest star Dionne Warwick portrays Della’s madam. Weirdly, Rent-A-Cop is set in Chicago and exteriors were shot there but the interiors were filmed in Rome’s Cinecittà Studios. And the screenplay was written by Michael Blodgett – best-remembered by cult cinema fans as hunky Lance Rock in the 1970 Russ Meyer sexploitation classic Beyond the Valley of the Dolls! Reynolds and Minnelli were both nominated for the 1988 Golden Raspberry Awards for Worst Actor and Worst Actress (Minnelli won).
Further reading: the Cranky Lesbian blog’s shrewdand in-depth analysis. She quotes Reynolds' not very chivalrous but frank recollection on acting opposite Minnelli: “She’s not the easiest person in the world to act with. She’s never quite with you. It’s like she’s reading something somewhere off-camera. Yet she’s amazing as a live performer.”
