Showing posts with label Bloc Bar. Show all posts
Showing posts with label Bloc Bar. Show all posts

Wednesday, 18 May 2016

Cockabilly at Bloc Bar DJ Set List 11 May 2016



From the Facebook events page:

Drag a comb through your quiff, swallow a fistful of bop pills and rock around the cock – at COCKABILLY! Wednesday 11 May 2016 in the louche surroundings of Bloc Bar in Camden! And every second Wednesday night of the month thereafter!

Leather boys, gay greasers, cry-babies, prison wives and juvenile delinquents of all ages are welcome at Cockabilly - London’s only regular queer rockabilly night! With DJ Mal Nicholson and I (Graham Russell) spinning all your favourite rancid vintage sleaze classicks! Think rockabilly, rhythm and blues, surf, punk and tittyshakers! Daring and virile! Chains, whips, knives and leather belts all swished around together in bone-jarring rock and roll! Way-out sex and sin for those who like it that way!

Bloc Bar: 18 Kentish Town Road London NW1
8-midnight
FREE



/ This month has been an emotional roller-coaster for fans of the fabulous Bronze Liberace, Little Richard. Prompted by a perhaps hasty Facebook update from Bootsy Collins (“Lil-Richard needs our love & understanding right now … he is not in the best of health so I ask all the Funkateers to lift him up”) on 28 April 2016, the internet was abuzz with speculation the 83-year old Georgia Peach was gravely ill. Certainly when I saw a frail Little Richard perform at the Viva Las Vegas rockabilly weekender in 2013 he was visibly (and audibly) ailing. On 3 May, Little Richard’s attorney was forced to make an official statement assuring everyone that in fact his client was most definitely not on his deathbed.  “I don’t perform like I used to”, an aggrieved Richard is quoted. “But I have my singing voice, I walk around, I had hip surgery a while ago but I’m healthy.’“ Phew! Still, it was gratifying to see the outpouring of love, concern and affection for Little Richard – the freakiest and queerest of rock’n’roll’s original pioneers. Little Richard is, of course, one of the essential faces and voices of Cockabilly. (I played his his version of "Rip It Up" at this installment of Cockabilly). All hail the kween! /

Second Wednesday of the month can only mean one thing – Cockabilly at Bloc Bar! Between us Mal and I whipped-up a menacing roar of rockabilly psychosis and my vintage beefcake homo porn looked sin-sational projected on Bloc Bar’s big screen.

I won’t lie: the crowd this month was small. But it was interesting! Some attendees in particular caught my attention from the DJ booth.  A middle-aged black guy sporting a baseball cap and faded eighties-style double denim entered. My initial impression was: no gay vibe, but a definite authentic sleaze vibe. I noticed he was alone, but ordered three drinks.  Within minutes he was joined by two tough-as-nails, been-around-the-block women in short skirts and heavy make-up. I kept glancing at the trio as I DJ’d and finally the nature of their relationship dawned on me: they were two “working girls” and he was their pimp (or john).  Finally – my kind of clientele! They were like escapees from one of my favourite New Orleans dive bars, The Double Play. Very John Rechy, very City of Night! At one point I cranked up a frantic surf instrumental and the two women jumped up and began gyrating to it, right in front of the flickering homoerotic sixties physique porn. Later - when Mal was DJ'ing - their hipness quotient dropped substantially when one of them requested some Pink or Lily Allen.

Anyway, here is what I played:

Jane in the Jungle - The 5,6,7,8s
Tough Bounce - The Fabulous Wailers
Ain't That Loving You, Baby - The Earls of Suave
I Will Follow Him - Little Peggy March
Little Miss Understood - Connie Stevens
Wipe Out - The Surfaris
Dragon Walk - The Noblemen
Tornado - Dale Hawkins
Here Comes the Bug - The Rumblers
Jim Dandy - Ann-Margret
Vesuvius - The Revels
Lucille- Masaaki Hirao
Rip It Up - Little Richard
Boss - The Rumblers
Year One - X
The Swag - Link Wray
Goodbye So Long - Ike and Tina Turner
Rockin' the Joint - Esquerita
Bombora - The Original Surf-aris
Drive Daddy Drive - Little Sylvia
Wiped Out - The Escorts
Chicken Grabber - The Nite Hawks
Chicken - The Cramps
Viva Las Vegas - Nina Hagen
Johnny Hit and Run Pauline - The Ramonetures



/ As usual, you get a reward for reading this far /

Upcoming Lobotomy Room dates for your social calendar:





Wednesday 25 May 2016: As host and DJ of the regular monthly Mondo Trasho punkabilly club night Lobotomy Room, I – Graham Russell - will occasionally crash Fontaine’s free weekly film night and screen a rancid title of my choice, with an emphasis on the cult, the queer and the camp! The Lobotomy Room Goes to the Movies film club selection in May is … The Valley of The Dolls! Wednesday 25 May!
“You have to climb Mount Everest … to get to The Valley of The Dolls.” Before Mommie Dearest … before Showgirls … the original “What the hell were they thinking?” Bad Movie We Love was The Valley of the Dolls. (Or Vallée des poupées if you want to get all French about it). A perennial favourite of drag queens and a cult classic for connoisseurs of kitsch, the unintentionally hilarious and wildly entertaining 1967 film adaptation of Jacqueline Susann’s lurid 1966 bestseller took the already trashy source material – and went even tawdrier with it! (At the film’s premiere, an outraged Susann reportedly called the film “a piece of shit!”).
A cautionary tale about the perils of show business, it follows the travails of three ambitious casualties of the glamour jungle: friends Anne, Neely and Jennifer. (The “dolls” of the title refer to the fistfuls of uppers and downers the characters pop like Tic Tacs throughout – usually washed down with booze).The Valley of The Dolls packs everything discriminating thrill-seekers demand in its lunatic two hours: hammy performances, pill-popping, bouffant wigs, catfights, slurring drunken scenes, rehab, drug-fueled meltdowns and crap-tastic musical numbers.
This screening is dedicated to the memory of Dolls’ recently deceased-leading lady Patty Duke (14 December 1946 – 29 March 2016). Former child star Duke is rivetingly awful rampaging through the role of Neely O’Hara, a scenery-chewing performance so berserk it can be favourably likened to Ann-Margret’s in Kitten with a Whip. Get yourself a stiff drink and strap yourselves in for a wild ride when Lobotomy Room Goes to the Movies presents The Valley of The Dolls!
As usual: arrive circa 8 pm to order your drinks and grab the best seats. The film starts at 8:30 pm prompt. The Bamboo Lounge seats about 22 people. If you’re feeling proactive, contact Fontaine’s to reserve a seat in advance: email ruby@fontaines.bar or call 07718 000546. Events page




Friday 27 May 2016: Oh god, it's happening again ... the next Lobotomy Room club night. Events page. 

Further reading:

Read about all the previous antics at Lobotomy Rooms to date hereherehereherehereherehereherehereherehere , hereherehere, hereherehere and here.

Follow me on tumblr for all your kitsch, camp, retro vintage sleaze and fifties homoerotica needs!


I'm also on twitter!

"Like" and follow the official Lobotomy Room page on Facebook if you dare!

Friday, 15 April 2016

Cockabilly at Bloc Bar DJ Set List 13 April 2016


Drag a comb through your quiff, swallow a fistful of bop pills and rock around the cock – at Cockabilly! Wednesday 13 April 2016 in the louche surroundings of Bloc Bar in Camden! And every second Wednesday night of the month thereafter!

Leather boys, gay greasers, cry-babies, prison wives and juvenile delinquents of all ages are welcome at Cockabilly - London’s only regular queer rockabilly night! With DJ Mal Nicholson and I (Graham Russell) spinning all your favourite rancid vintage sleaze classicks! Think rockabilly, rhythm and blues, surf, punk and tittyshakers! Daring and virile! Chains, whips, knives and leather belts all swished around together in bone-jarring rock and roll! Way-out sex and sin for those who like it that way!

The Bloc Bar: 18 Kentish Town Road London NW1

8-midnight

FREE

Cockabilly_13 April 2016

/ DJ Mal Practice (left) and I at the 13 April 2016 Cockabilly at Bloc Bar. Photo by Pal /

The April 2016 installment represented the second-ever Cockabilly at our sparkling new venue – Bloc Bar in Camden. Happily this time (courtesy of Bloc Bar’s boss man Wayne Shires) we got their DVD player and projector fully operational so I could play my collection of atomic-era homo porn. The continuous grainy fifties and sixties beefcake homoerotica on the big screen (think sexy vintage baby-oiled body builders scantily-dressed as centurions, slaves, sailors, bikers and prisoners endlessly wrestling) proved a hypnotic visual backdrop to some pretty blistering DJ sets by Mal and I. It was great to get some glitches ironed-out. We even got the trademark Cockabilly sign perfectly positioned on the DJ booth! Now all we need is people to come and support Cockabilly’s vision of squalid rock’n’roll filth! 

Anyway, here is what I played:

Jane in the Jungle - The 5,6,7,8s
Road Runner - The Fabulous Wailers
He's The One - Ike and Tina Turner
Boss - The Rumblers
The Big Bounce - Shirley Caddell
Hoy Hoy - The Collins Kids
Let's Go Baby - Billy Eldridge
Lucille - Masaaki Hirao
The Batman Theme - Link Wray and His Wraymen
That Makes It - Jayne Mansfield
Bombora - The Original Surf-aris
Atomic Bongos - Lydia Lunch
Adult Books - X
Cretin Hop - The Ramonetures
Your Good Girl's Gonna Go Bad - Wanda Jackson
Club Delight - Jack "Big Daddy" Jolly
Viva Las Vegas - Nina Hagen
Wipe Out - The Surfaris
Female Trouble - The Melvins
Beat Party - Ritchie and The Squires
Three Cool Chicks - The 5,6,7,8s
Big Bad Boss Beat - The Teen Beats
It's a Gas - The Rumblers
Harley Davidson - Brigitte Bardot
Woo-Hoo - The Rock-A-Teens
How Much Love Can One Heart Hold? Joe Perkins and The Rookies
Killer - Sparkle Moore
I Got Stung - Elvis Presley
Jim Dandy - Sara Lee and The Spades
Whistle Bait - Larry Collins
Like A Rolling Stone - Mamie Van Doren
Somebody Put Something in My Drink - The Ramones
Beat Girl - Adam Faith
Fever - The Delmonas
Margaya - The Fender Four
Intoxica - The Centurions
What's Inside A Girl? The Cramps
Go Wild in The Country - Bow Wow Wow
Gostaria de saber (River Deep Mountain High) - Wanderlea



Previously in blog posts I have irresponsibly and sensationally speculated on the homosexuality and / or bisexuality of Billy Fury and James Dean. This time, let’s focus on parasitic, doomed (and very cute in a greaser rough trade way) actor Nick Adams – who may or may not have had intimate knowledge of both Elvis Presley and James Dean. The account below is from the essential Facebook page Gay of The Day, which I highly recommend you follow. They profiled Adams - a true casualty of Hollywood Babylon, dead aged 36 - on 28 July 2015.



/ Nick Adams and Elvis in 1956 /

"Every big star needs a best friend, someone to carouse with, someone with whom they can talk, let their hair down and (most importantly) procure some occasional fellatio to ease the stress of a hectic showbiz career. Today's "Gay of the Day" was more than happy to meet those needs, as long as it furthered his own career. Hanger-on turned actor Nick Adams (1931-1968). 

"As a teen Nick couldn't hold down a job, but somehow still managed to have money. After dinner he'd be out all night and come home with wads of cash. Luckily his parents didn't ask too many questions, for he was cruising the bars and pool halls of Jersey City and hustling his tight teenage Ukrainian ass. He told his father he wanted to act "for the money" and despite his dad's pleas to listen to reason, Nick hitchhiked to Hollywood. Once there, he did ANYTHING to get a job. He crossed paths with both Jack Palance (who gave him his professional name, his birth name was Nicholas Adamshock) and Henry Fonda, both of whom had the the same concise advice for him: "Take acting lessons". Meanwhile he got a job tearing tickets at the Warner Theatre since premieres were held there. He figured he could rub elbows with the Hollywood elite and make some connections (he was fired for putting "Nick Adams" on the marquee). It was around this time that he met James Dean. They both were cast in a Coca-Cola commercial. But Adams got drafted and wouldn't see Jimmy for another four years until they were acting together in Rebel Without a Cause. Once reunited they were thick as thieves and soon Adams started blabbing around town that they were fucking. Adams also started escorting single actresses to premieres (particularly Natalie Wood) and getting his picture in all the magazines. Adams then became the paid companion of Elvis Presley, a position he'd assume for many years. They behaved rather indiscreetly and their unusually close relationship raised many eyebrows. In fact, when Elvis' mother died Nick was the only person he wanted to see. Elvis' manager, Colonel Tom Parker, figured Adams was effective at scratching a particular Elvis itch and a happy Elvis was a profitable Elvis. Adams was still a supporting actor in movies, but his parts were getting larger (he's the butt of some gay cracks in Pillow Talk). However, television was where he'd make a name for himself. 

"For three years he was the star of the television series The Rebel (1959-1962). It was also around this time that he became a husband and father. After the show ended, he was nominated for an Oscar for Twilight of Honour (1963), which led to nothing. He couldn't get decent work and blamed his sexuality. He groused to Hedda Hopper "No one's buying this" (his marriage) and filed for divorce. His last years were spent in Japanese monster films and cheap European productions. He was found dead in his home, his body coursing with Michael Jackson levels of sedatives. Some theorize he was murdered because he had a big mouth and a lot of dirt on supposedly straight stars, particularly Elvis. I highly doubt Col. Parker had him eliminated. Adams was very morose in his final days and was no doubt medicating his disappointment. He probably just overdid it."



/ Nick Adams and Elvis in 1956 /

Further reading:

Read all about the sordid antics at previous Cockabillies hereherehereherehereherehereherehereherehere,  here, herehereherehereherehereherehere and here.

Follow my sensual and depraved tumblr blog (also called Bitterness Personified) for all your retro, kitsch and vintage homo porn needs! Warning - it contains adult situations! NSFW and never will be!


Most importantly: upcoming Lobotomy Room-related dates!


Throw on a blonde wig! Borrow a chihuahua! Put a wiggle in that walk! Coo and squeal like a sex kitten-gone-berserk! /

Wednesday 27 April 2016: As host of the regular monthly Mondo Trasho punkabilly club night Lobotomy Room, I – Graham Russell - will occasionally crash Fontaine’s free weekly film night and screen a rancid title of my choice, with an emphasis on the cult, the queer and the camp! The Lobotomy Room Goes to the Movies selection this month is – The Wild, Wild World of Jayne Mansfield!

Rated “X” upon its release in 1968, the ultra-trashy faux documentary chronicles the kinky globe-trotting misadventures of Hollywood sex kitten-gone-berserk Jayne Mansfield.   Watch agog as kitsch icon Mansfield - the punk Marilyn Monroe, revered by John Waters and Divine (and “the face” of Lobotomy Room) -   visits the hedonistic “sin spots” of the world, encompassing topless go-go clubs, gay bars, drag queen beauty contests and nudist colonies, usually accompanied by her pet Chihuahua!

The low-budget Wild, Wild World was in production 1964 - 1968. Bear in mind Mansfield died in 1967. Part of the fun is spotting how the producers cobbled things together after Mansfield’s death in order to complete the film. Watch for the (many) shots of a body double filmed from behind wearing Mansfield’s disheveled blonde wig.  And the sound-alike who delivered the voice-over narration (nailing Jayne’s breathless babydoll coo) deserved an Oscar!

In an eerie unplanned coincidence, April marks Mansfield’s birthday (she was born 19 April 1933). Let’s make the night a celebration of all things Jayne! Come dragged-up as Jayne Mansfield and / or accompanied by a Chihuahua – get a free cocktail.

As usual: arrive circa 8 pm to order your drinks and grab the best seats. The film starts at 8:30 pm prompt!

Events page



Friday 29 April 2016: Revel in sleaze, voodoo and rock’n’roll - when incredibly strange dance party Lobotomy Room returns to the Polynesian-style basement Bamboo Lounge of Dalston’s premiere Art Deco vice den Fontaine’s! Friday 29 April! With sensational special offer cocktails on the night!

Lobotomy Room! Where sin lives! A punkabilly booze party! A spectacle of decadence! Bad Music for Bad People! A Mondo Trasho evening of Beat, Beat Beatsville Beatnik Rock’n’Roll! Rockabilly Psychosis! Wailing Rhythm and Blues! Twisted Tittyshakers! Punk! White Trash Rockers! Kitsch! Exotica! Curiosities and other Weird Shit! Think John Waters soundtracks, or Songs the Cramps Taught Us, hosted by Graham Russell (of Dr Sketchy and Cockabilly notoriety). Expect desperate stabs from the jukebox jungle! Savage rhythms to make you writhe and rock! Now with vintage erotica projected on the wall for your adult viewing pleasure! Come for the cocktails - stay for the putrid music and dirty movies!

Admission: gratuit - that’s French for FREE!

Lobotomy Room: Faster. Further. Filthier.

It’s sleazy. It’s grubby. It’s trashy - you’ll love it!

A tawdry good time guaranteed!

Events page


Sunday, 27 March 2016

Cockabilly at Bloc Bar DJ Set List 9 March 2016


/ The Queen, y'all: The majestic Little Richard - pure essence of Cockabilly /

From the official Cockabilly Facebook page:

Drag a comb through your quiff, swallow a fistful of bop pills and rock around the cock – at COCKABILLY!

Exciting news! COCKABILLY is triumphantly returning to a new venue on Wednesday 9 March 2016: the louche surroundings of The Bloc Bar in Camden! And every second Wednesday night of the month henceforth!

Leather boys, gay greasers, cry-babies, prison wives and juvenile delinquents of all ages are welcome at Cockabilly - London’s only regular queer rockabilly night! With DJ Mal Nicholson and I (Graham Russell) spinning all your favourite rancid vintage sleaze classicks! Think rockabilly, rhythm and blues, surf, punk and tittyshakers! Daring and virile! Chains, whips, knives and leather belts all swished around together in bone-jarring rock and roll! Way-out sex and sin for those who like it that way!

The Bloc Bar: 18 Kentish Town Road London NW1

8-midnight

FREE


/ Inspiration for your Spring / Summer 2016 wardrobe - Cockabilly-style! /

When the much-missed George & Dragon pub in Shoreditch (epicentre of East End gay bohemia!) closed end of last year, Cockabilly was plunged into limbo. Happily, last month we were welcomed into a new venue – The Bloc Bar in Camden Town.  Our debut there was Wednesday 9 March. (This was the first Cockabilly since the last-ever one at The George & Dragon in October 2015).

What I learned on the night: Mal and I need to do a helluva lotta promotion to spread the word and lure in some new faces to Cockabilly. I just know there’s a whole new Beat Generation of gay greaser malcontents out there ready to be corrupted! We just need to reach them. The biggest disadvantage was the Bloc Bar’s DVD player / big screen set-up being on the blink that night, so I wasn’t able to project my vintage beefcake homo porn.  I’m obsessed with presentation and creating ambiance.  Screening raunchy, grainy homoerotic footage of baby-oiled semi-naked fifties muscle boys flexing and wrestling compliments the music and never fails to entrance people. Fingers crossed it will be operational by the next Cockabilly in April. Ultimately, though, the new venue is a glorious and exciting development. The Bloc Bar fits Cockabilly like a tight wet t-shirt!

Towards the end of the night a group of early twenty-somethings arrived. A girl in the group approached me while I was DJ’ing, explained it was her birthday and requested I play some Britney Spears. (Requested? More like demanded! Oh those entitled millennials!).  I apologised, saying I love Britney too (the stark, grinding minimalism of “Gimme More” is on permanent heavy rotation on my iPod) but I didn’t have any of Spears' music on me and it didn’t really fit in with the rockabilly aesthetic of the night. (This produced a look of stony incomprehension). Still, I felt bad to disappoint her, so in honour of this chick’s birthday I played the doo-wop ballad “Happy, Happy Birthday Baby” by The Tune Weavers – even though it was the totally wrong tempo and jarringly killed the momentum of my set dead. I needn’t have bothered – she was outside in the smoking area at the time anyway. D’oh! 

Some "action shots" of the night courtesy of Pal. I love how hyperactive Mal is a blur of movement in most of them!

Cockabilly_March_16_7

Cockabilly_March_16_6

Cockabilly_March_16_5

Cockabilly_March_16_4

Cockabilly_March_16_2


Do You Remember Rock'n'Roll Radio? The Ramonetures
Let's Go Baby - Billy Eldridge
Viva Las Vegas - Nina Hagen
Jailhouse Rock - Masaaki Harao
Your Good Girl's Gonna Go Bad - Tammy Wynette
Margaya - The Fender Four
Pinball Party - The 5,6,7,8s
Chicken - The Cramps
Chicken Walk - Hasil Adkins
Chicken Grabber - The Nite Hawks
Chicken Shack - Ike and Tina Turner
Here Comes the Bug - The Rumblers
Fool's Errand - Billy Fury
Gostaria de saber (River Deep Mountain High) - Wanderlea
My Boy Lollipop - Sakura and The Quests
Suey - Jayne Mansfield
Wiped-Out - The Escorts
Bombie - Johnny Sharp and The Yellow Jackets
Rock'n'Roll Waltz - Ann-Margret
Road Runner - The Fabulous Wailers
Funnel of Love - Wanda Jackson
Breathless - X
Deuces Wild - Link Wray
Somethin' Else - Sid Vicious
Big Bad Boss Beat - The Teen Beats
Happy Happy Birthday Baby - The Tune Weavers

Further reading:

Read all about the sordid antics at previous Cockabillies hereherehereherehereherehereherehereherehere,  here, hereherehereherehereherehere and here.

Follow my tumblr blog (also called Bitterness Personified) for all your retro, kitsch and vintage homo porn needs! Warning - it contains adult situations!


Most importantly: the next Cockabilly at The Bloc Bar is Wednesday 13 April!



/ As per tradition: if you've read this far, you get rewarded with something a bit more hardcore /