/ Jazz sex kitten Ann Richards posing for Playboy magazine in 1961 /
It was a night of technical hitches a-go go! Like I’ve said before the decks and controls for the lights, etc in the DJ booth at the Royal Vauxhall Tavern are as complicated as the control panels of a helicopter! When I was setting up the venue's manager was kindly helping and somehow the dry ice machine got accidentally switched on – and then we couldn’t work out how to turn it off again. Dry ice kept billowing out, filling the whole venue with thick smoke. Finally he had to phone someone to instruct him how to switch it off. Mercifully it was all resolved before punters started arriving: I was thinking we’d need to fling open all the doors to air the place out, but by the time people arrived there wasn’t even a hint of grey mist.
Later one of the performers realised she’d brought the wrong CD for her number and she couldn’t dance without it. She had the song on her iPod but try as we might we couldn’t get any audio when we tried to play her iPod through the decks – nightmare. And none of my music was suitable for her act. To her eternal credit, at the last minute she did a whole other routine based around the music she did bring and really saved things – and the audience was none the wiser.
Otherwise: a great night. The crowd was up for it, the two featured burlesque performers (Sophia St Villier and Marianne Cheesecake) were both seasoned Dr Sketchy veterans, and Ophelia Bitz emceed again in her inimitably sassy and casual way.
Early on I eased into things (and calmed my frazzled nerves!) with some lounge, Fifties Cool Jazz and Latin exotica – as the night progressed the music got sleazier and more raucous. I had to play a Juliette Greco track (the classic “La Javanaise”, written for her by Serge Gainsbourg) because some friends and I went to see the legendary Parisian beatnik chanteuse's breathtaking concert at The Royal Festival Hall on 21 November – that merits its own blog, which I'll try do soon.
I’m a sucker for obscure jazz and blues singers with tragic life stories. Sick, I know. Someone who definitely fits that bill (and who I play on a regular basis at Dr Sketchy) is the beautiful and talented but doomed 1950s jazz vocalist and sex kitten Ann Richards. As a rising starlet under the wing of her husband, big band jazz leader Stan Kenton, Richards seemed destined for great things. But while she emerged from the same 1950s cool jazz style of singing as Julie London and June Christy, Richards sadly never quite achieved their level of stardom. After her marriage to Kenton ended her career began to circle the drain: posing for Playboy magazine in 1961 to promote her Ann, Man! album backfired, leading to scandal rather than reviving interest in her career. From there Richards succumbed to depression and alcoholism (although apparently never stopped performing, singing in jazz clubs in Los Angeles) until she died aged 46 in 1982 of a self-inflicted gunshot wound. Thankfully her music lives on and her reputation has been rehabilitated. Ann Richards deserved a lot better, and I highly recommend her sultry, swinging Ann, Man! album (from which her finger-snapping rendition of the Dinah Washington standard “Evil Gal Blues” comes from). See more pics from Richards's Playboy spread here.
Hurt - Timi Yuro
I Remember You - Chet Baker
Playboy's Theme - Cy Coleman
Life Is But a Dream - The Harptones
One for My Baby (And One More for the Road) - Marlene Dietrich
Exotique Bossa Nova / Quiet Village Bossa Nova - Martin Denny
La Javanaise - Juliette Greco
Requiem pour un Twister - Serge Gainsbourg
Mack the Knife - Hildegard Knef
Blues for Beatniks - John Barry (Beat Girl soundtrack)
Besame Mucho - Betty Reilly
Eso - Conjunto TNT
Kiss Me Honey Honey - The Delmonas
Tonight You Belong to Me - Patience and Prudence
Honey Rock - Barney Kessel
Somebody Buy Me a Drink - The Earls of Suave
Honey's Lovin' Arms - Robert Mitchum
Little Things Mean a Lot - Jayne Mansfield
I Love the Life I Live - Esquerita
Save It - Mel Robbins
A Week from Tuesday - The Pastels
I Would If I Could - Ruth Brown
Nosey Joe - Bull Moose Jackson
Interlude - Sarah Vaughan
Harlem Nocturne - The Viscounts
Honeysuckle Rose - Lena Horne
Mack the Knife - Bill Black's Combo
Falling in Love Again - Billie Holiday
You're My Thrill - Chet Bake (instrumental version)
Everybody Loves My Baby - Brigitte Bardot
The Boulevard of Broken Dreams - Sam Butera
No Love for Daddy - Serge Gainsbourg
I'm in Love Again - Lizabeth Scott
I Feel So Mmmm - Diana Dors
She Acts Like a Woman Should - Marilyn Monroe
Blondie's Strip - John Barry (Beat Girl soundtrack)
The Beast - Milt Buckner
Mack the Knife - Eartha Kitt (you can never play too many versions of Mack the Knife)
Baubles, Bangles and Beads - Marlene Dietrich
Some Small Chance - Serge Gainsbourg (Strip-Tease soundtrack)
Lovin' Spree - Ann-Margret
Begin the Beguine - Billy Fury
Desfinado - Si Zentner
Blockade - The Rumblers
Bacon Fat - Andre Williams
You Can't Stop Her - Bobby Marchan
Cherry Wine - Little Esther
Tuxedo Junction - Bill Black Combo
Is You Is Or Is You Ain't My Baby? Dinah Washington
Evil Gal Blues - Ann Richards
The Stripper - John Barry (Beat Girl soundtrack)
Night Train - Alvino Rey
Drums A Go Go - The Hollywood Persuaders
Fever - Timi Yuro
Blue Kat - Chuck Rio & The Originals
Summertime - Little Esther
Revelion - The Revels
The Girl Can't Help It - Little Richard
Chattanooga Choo Choo - Denise Darcel
Jungle Drums - Earl Bostick
I Put a Spell on You - Nina Simone
Stop and Listen - Mickey and Ludella
Drive Daddy Drive - Little Sylvia
Bewildered - Shirley & Lee
I'll Upset You Baby - Lula Reed
Stranger in My Own Hometown - The Earls of Suave
The titty shaker du jour:
Don't miss out! Keep track of upcoming Dr Sketchy's here.
I can't imagine DJ'ing at Dr Sketchy and not playing at least one track from John Barry's soundtrack for the ultra kitsch 1960 sexploitation B-movie Beat Girl (aka Wild for Kicks). The moody and atmospheric album cover alone is inspiring: Shirley-Anne Field pouting in front of a vintage jukebox, dreamy young Adam Faith in a black leather jacket brooding over a cappuccino and sex kitten Gillian Hill painstakingly styled to look exactly like Brigitte Bardot.
For some reason DJ'ing at Saturday afternoon Dr Sketchy's at The Old Queen’s Head in Angel always feel more relaxed and laid-back. This time the guest emcee was the vivacious Ophelia Bitz (my first time working with her; it was a real pleasure) and the models / performers were Scarlett Daggers and Marianne Cheesecake. It was a nice day: I drank two pints of lager on a practically empty stomach, which made me very mellow (that’s the problem when you DJ in the middle of the afternoon! Obviously I could have drunk coffee instead of beer, like the sensible and professional Ms Bitz). During the break a cute rockabilly couple were dancing to the music I was playing, which was insanely flattering. I eased into DJ’ing by playing some mambo and Latin exotica. Later on I played more rockabilly than usual in honour of Scarlett Daggers' stage persona, which is inspired by outsider fetish artist Vince Ray's Bettie Page-style bad girl drawings.
Tierra va Temblar - Eartha Kitt
Ou Es-Tu Ma Joie? Caterina Valente
I Can't Believe That You're in Love with Me - John Buzon Trio
Yeh, Yeh! - Mongo Santamaria
Pauvre Lola - Serge Gainsbourg
Ich bin leider viel zu faul (Laziest Gal in Town) - Hildegard Knef
You Make Me Feel So Young - Chet Baker
Call Me Irresponsible - Dinah Washington
Topsy - Joe Bucci Trio
A Week from Tuesday - Pastel Six
I Ain't Drunk (I'm Just Drinking) - Jimmy Liggins
I Ain't in the Mood - Helen Humes
Stranger in My Own Home Town - Elvis Presley x-rated version
Wait a Minute, Baby - Esquerita
Beaver Shot - The Periscopes
The Flirt - Shirley & Lee
Revelion - The Revels
That's How It Is - Diana Dors
Red Hot - Billy Lee Riley
Accentuate the Positive - Bill Black Combo
Mondo Moodo - The Earls of Suave
Angel Face - Billy Fury
Uska Dara - Eartha Kitt
Shangri-La - Spike Jones New Band
Lust - Les Baxter
Sexe - Line Renaud
Cherry Pink - Bill Black Combo
Love Me or Leave Me - Lena Horne
Blues for Beatniks - John Barry (Beat Girl Soundtrack)
Don't You Feel My Leg - Blue Lu Barker
Melancholy Serenade - King Curtis
Smoke Gets in Your Eyes - Eartha Kitt
Basin Street Blues - Julie London
No Good Lover - Mickey & Sylvia
Blue Moon Baby - Dave "Diddle" Day
Lucille - Little Richard
Suey - Jayne Mansfield
Cheap Wine - The Earls of Suave
Fool I Am - Pat Ferguson
Hound Dog - Little Esther
Such a Night - Clyde McPhatter & The Drifters
Ooh! Look-A There Ain't She Pretty - Bill Haley & His Comets
Woman Love - Gene Vincent
Salamander - Mamie van Doren(See video below)
Little Girl - John & Jackie
Boss - The Rumblers
Tall Cool One - The Wailers
Give Me Love - Lena Horne
Honeysuckle Rose - Marlene Dietrich
You're My Thrill (instrumental) - Chet Baker
The Immediate Pleasure - John Barry (Beat Girl soundtrack)
I'm a Fool to Want You - Billie Holiday
Boulevard of Broken Dreams - Denise Darcel
Anytime - Bill Black Combo
All of Me - Mae West
Begin the Beguine - Ann-Margret
Desfinado - Si Zentner
Peter Gunn Twist - The Jesters
Comin' Home - The Delmonas
Rip It Up - Little Richard
One, Two, Let's Rock - Sugar Pie & Pee Wee
Fever - Nancy Sit
Uptown to Harlem - Johnny Thunders & Patti Paladin
For her first pose, Scarlett Daggers wore a harem girl outfit -- a great excuse to play Eartha Kitt's hip-swivelling Turkish delight "Uska Dara."
Eartha singing "Uska Dara" in 1952:
And in a 1967 TV special:
Ultimate 1950s bullet bra'd bad girl Mamie van Doren belting out the song "Salamander" (backed by rockabilly hearthrob Eddie Cochran on guitar -- frustratingly, you get just a few glimpses of him) in the 1957 juvenile delinquent film Untamed Youth.
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DJ. Journalist. Greaser punk. Malcontent. Jack of all trades, master of none. Like the Shangri-Las song, I'm good-bad, but not evil. I revel in trashiness