DJ Set List for Gail and Jasja's Leaving Party 15 April 2011

/ Gail and Jasja (aka Sparkle Moore and Cad van Swankster, the proprietors of London's most chi chi vintage clothing emporium The Girl Can't Help It) were given a raucous and boozy send-off at their farewell party at Ryan’s in Stoke Newington on 15 April 2011 /

/ (Gail and Jasja were married on 1 April 2011. The sugar couple from the top of their wedding cake looks eerily like them -- down to the fine details of Jasja's tattoos!) /

In the 1990s Gail was the hostess / promoter of sleazily atmospheric club nights like More than Vegas and Blue Martini – clubs that plunged Soho back to its seedy neon-lit 1950s golden age. I discovered More than Vegas early on when I first arrived in London and it was instrumental in making me the twisted fuck I am today!

I didn’t take as many photos as I should have at the party (how could I not have photographed Ms Mansfield?!). I was DJ’ing for the first half of the night, which was a bit chaotic (technical problems a-go go!) and afterwards drank a helluva lot to de-stress. (Did I mention it was a boozy night?). Gail and Jasja have re-located to San Diego and will be much-missed by their friends in London. (Jasja would definitely want me to point out The Girl Can't Help It is staying put at Alfie's Antique Market and is in the safe hands of Laurie Vanian).

It was an honour to be asked by Gail to be one of the DJ's at their leaving-do. Going to More than Vegas in the early 90s was definitely a factor in making me want to pursue DJ'ing, and the More than Vegas resident DJs like Jake Vegas and (especially) the sublime Ms Mansfield were certainly an inspiration.

/ The Way They Were: Ms Mansfield and Jake Vegas in the old days at More than Vegas at The St Moritz on Wardour Street /

/ Gail and Mari in the nineties /

Gail's only musical stipulation was she wanted lots of Eartha Kitt, Jayne Mansfield and Violetta Villas so I definitely played more than one track by each (well, except for Violetta as I only have one song by her!). Playing at least one song by the original Sparkle Moore, the great female rockabilly chanteuse Gail swiped her name from, was also compulsory.

/ Me DJ'ing at Gail and Jasja's leaving party. Can I just say in my own defence, it was very hot in that corner and I'd been running up and down the stairs earlier ... /

I was the first DJ on and the whole audio situation was very much cobbled together at the last minute and very stressful (and I was pounding back beer to combat the stress), so my set wasn't as smooth and flowing as I would have liked. But anyway, here it is ...

Woh! Woh! Yea! Yea! The Dynamos
Vesuvius - The Revels
Rock-A-Bop - Sparkle Moore
Boss - The Rumblers
Sweet Little Pussycat - Andre Williams
St Louis Blues - Eartha Kitt
Esquerita and The Voola - Esquerita
The Whip - The Originals
Suey - Jayne Mansfield
Beaver Shot - The Periscopes
Chatta Nooga Choo Choo - Denise Darcel
The Girl Can't Help It - Little Richard
Fujiyama Mama - Annisteen Allen
She Wants to Mambo - Johnny Thunders and Patti Paladin
Bossa Nova Baby - Elvis Presley
Heartbreak Hotel - Ann-Margret
Beat Girl - Adam Faith
Crawlin' - The Untouchables
Fever - Timi Yuro
Peter Gunn Twist - The Jesters
Comin' Home - The Delmonas
I Was Born to Cry - Dion
Summertime - Little Esther
You're My Thrill - Chet Baker
Willow Weep for Me - The Whistling Artistry of Muzzy Marcellino
Little Things Mean a Lot - Jayne Mansfield
Dragon Walk - The Noble Men
I Love the Life I Live - Esquerita
Czterdziesci Kasztanów (Forty Chestnuts) - Violetta Villas

See more photos from Gail and Jasja's leaving party here

See photos from Gail and Jasja's last-ever yard sale here

(Looking at this set list in retrospect, am sure I've left some songs off ... I definitely played Eartha Kitt's version of "Mack the Knife" in there somewhere. I DJ'd for at least 90-minutes, so there must have been more songs than that! Ah, well. They're lost in the mists of time now).

13 April 2011 Dr Sketchy Set List

/ An intoxicated and bleary-eyed Jayne Mansfield parties with Mamie van Doren (check out Mamie's outrageously fake wighat). Jayne looks the way I feel /

This might be a bit of a rush job: I fly to Vegas for the annual Easter rockabilly weekender Viva Las Vegas early morning on 20 April and want to blog this set list while it's still fresh in my mind.

I’m the first to admit this night wasn’t one of my better ones: lots of technical glitches to feel anxious about (i.e. with the microphone, the decks themselves, and will I ever work out how the stage lights at The Royal Vauxhall Tavern work?!). Plus the RVT is synonymous with still-agonising romantic disappointment for me (don’t worry, I’ll spare you the details) and as a result I drink one helluva lot more there while DJ’ing, which probably impacts on things. Hopefully the music didn’t come across as too disjointed and erratic.

Musically what I’m really feeling at the moment is moody, atmospheric 1950s heartbreak ballads, the kind with lots of echo on the singer’s voice and ghostly rockabilly guitar: think Eddie Cochran’s "Half Loved", “The Strangeness in Me” by The Runabouts and the eerie “Flower of My Heart” by Sparkle Moore. (I’m kicking myself for not packing “The Fire of Love” by Jody Reynolds – something I’ll rectify next time). "Mess of Blues" is one of my favourite Elvis ballads. “Nobody Knows” by The Earls of Suave packs a boozy sense of regret I can certainly relate to these days.

I wrote recently about my love for the turbulent Turners, but I didn’t realise Ike and Tina ever did a version of “Love Letters” until recently. The song is something of a pop standard, covered by everyone from Elvis, Peggy Lee, Julie London and of course Kitty Lester, whose hushed, gospel-inflected version was used so hauntingly by David Lynch in Blue Velvet. Ike and Tina's rendition couldn't sound less like a typical Ike and Tina number: it opens with a swirl of sugary strings and the Ikettes sound almost angelic, contrasting nicely with the sandpaper rasp of Tina's voice. Her delivery initially starts quite measured but within no time she’s in full roar, tearing the song apart with her bare hands – you’ll never hear a more urgent version of “Love Letters!”

The inimitable Ophelia Bitz was the emcee again this time. This night featured a burlesque performer (Lady Cave, who’s Australian and sports a black patent leather Louise Brooks bob) and the model Tiffany Chin-Sim. For her pose Tiffany wore a spangled belly dancer costume, so needless to say I played Eartha Kitt’s “Uska Dara” and exotica like “Camel Walk” by The Saxons and “Lust” by Les Baxter, featuring the Yma Sumac-like wails, growls and screams of Bas Sheva.



Nobody Knows - The Earls of Suave
The Flower of My Heart - Sparkle Moore
Mess of Blues - Elvis Presley
Reconsider Me - Margaret Lewis
Love Letters - Ike and Tina Turner
Love Oh Love - Little Esther
Two-Timing Loser - Johnny Thunders and Patti Paladin
The Strangeness in Me - The Runabouts
Harbour Lights - Dinah Washington
Sea of Love - The Earls of Suave
Stop and Listen - Mickey and Ludella
Fury's Tune - Billy Fury
Tiger - Sparkle Moore
Half-Loved - Eddie Cochran
Willow Weep for Me - Lizabeth Scott
Ebb Tide - Al Anthony
Solitude - Eartha Kitt
Les Amours Perdue - Serge Gainsbourg
If I Should Lose You - George Shearing
The Thrill is Gone - Chet Baker
I'm Through with Love - Marilyn Monroe
I Almost Lost My Mind - Bill Black Combo
Night Scene - The Rumblers
The Beast - Milt Buckner
Monkey Bird - The Revels
Fever - Nancy Sit
Comin' Home - The Delmonas
No Good Lover - Mickey and Sylvia
Mondo Moodo - The Earls of Suave
Aged & Mellow - Little Esther
Jungle Walk - The Dyna-Sores
Makin' Out - Jody Reynolds
I Wanna See You Dance - Hank Stirrup and Chet Tendon
Gizmo - Jimmy Heaps
Suey - Jayne Mansfield
Baby Doll Mambo - Belmonte and His Afro-American Music
Catwalk - Jack Constanzo
Uska Dara - Eartha Kitt
Camel Walk - The Saxons
Frenzy - The Hindus
Lust - Les Baxter
You Know I'm No Good - Wanda Jackson
That's Why I'm Askin' - Carl Dobkins Jr
Salamander - Mamie van Doren
Wait a Minute, Baby - Esquerita
Snow Surfin' Matador - Jan Davis
Nicotine - The Vikings
Tu veux ou tu veux pas - Brigitte Bardot
Fever - Timi Yuro
Teach Me Tonight - Dinah Washington
Harlem Nocturne - Martin Denny
I Feel So Mmmm - Diana Dors
Smoke Gets in Your Eyes - Mallet Men
C'est si Bon - April Stevens
Bachelor's Paradise - Ann-Margret
Crawlin' - The Untouchables
Torture Rock - The Rockin' Belmarx
One Night of Sin - Elvis Presley
Shangri-la - Spike Jones New Band
Beat Girl - Adam Faith (Beat Girl soundtrack)
Like a Baby - Wanda Jackson
Mack the Knife - Hildegard Knef
Jealousy - Billy Fury
Don't Let Me Be Misunderstood - Nina Simone

9 April 2011 Dr Sketchy Set List

/ Kiss Them for Me: Jayne. Oh, Jayne ... /

For this Dr Sketchy (at The Old Queen's Head in Angel), the emcee was Ophelia Bitz and the performer / model was Cherry Shakewell: I defy anyone not to have fun with cabaret and burlesque royalty like these two. Plus it was the first Dr Sketchy for me to unveil my week-old new tattoos (they’d finally healed, stopped flaking and were presentable at last).

I eased into proceedings with some Latin exotica (mambo, the 1965 Eartha Kitt Canta en Espanol album) before journeying into deep vintage sleaze. Cherry Shakewell’s image (bouffant blonde hair, thick false eyelashes, white lipstick) evokes Russ Meyer-esque 60s go-go dancers so while she posed I went heavy on 1960s sex kitten / babydoll-type tracks by the likes of Bardot, Nancy Sinatra and Ann-Margret. Obviously Jayne Mansfield (the punk Marilyn Monroe, who died for our sins) is an eternal touchstone: her track “Suey” always sounds to me like the tortured inner monologue of a go-go dancer gyrating from the confines of her glittery go-go cage – the perfect soundtrack for Cherry’s pose. I also decided long ago that "Cherry" by The Jive Bombers should be Ms Shakewell's theme song.

/ Star-struck: When Jayne met Marilyn /

Another tune I play a lot lately is "You Can't Stop Her" (1959) by Bobby Marchan (1930 -1999), the African-American New Orleans-based rhythm & blues singer best known for fronting Huey Piano Smith & the Clowns. Driven by raucous sax, the song has a vibe similar (both musically and lyrically) to Little Richard’s “The Girl Can’t Help It.” In fact Marchan and androgynous Queen of Rock’n’Roll Little Richard could be seen as soul sisters or fellow travellers: when he was scoring hit records with The Clowns Marchan dressed in male clothing, but prior to that he’d gained local notoriety as a blonde-wigged female impersonator and emcee billed as Loberta in evocatively-named dive night clubs like the Dew Drop Inn and Club Tijuana. In his consistently amazing blog The Houndblog, James “The Hound” Marshall writes about Marchan’s fascinating life and career, uncovering the subterranean drag queen influence in blues and rhythm & blues (and therefore rock’n’roll itself), the kind of angle usually airbrushed (bleached? Deracinated?) out of the hidebound “straight” (in every sense) rock history limited to Elvis, The Beatles and those endless “100 Greatest” lists. (For a nicely-researched thoughtful piece about the queer sensibility that throbbed in the background of blues and R&B, read this).

/ The Bronze Liberace: a very young Little Richard /

/ Esquerita in full cry /

Marshall mentions that both the outrageously seedy Esquerita and Little Richard also started out as at least quasi drag queens at the beginning of their careers, too. Little Richard’s drag stage name was “Princess Lavonne”, and some of his best known songs are supposedly coded tributes to his old drag queen friends: “Good Golly Miss Molly”, “Long Tall Sally.” (“Tutti Fruiti”, of course, is legendarily a paean to anal sex). In the repressed pre-civil rights 1950s middle class white parents were anxious enough about their kids listening to (and being corrupted by) the likes of Little Richard, Bobby Marchan and Esquerita: just imagine if they’d really known the full story! Freaking out the squares – it’s a wonderful tradition. As Marshall concludes in his Bobby Marchan profile...

“Of the many untold secrets that still hide up the rumpled skirt of R&B and rock’n’roll history, one surprise you will find is a black cock, and I’m not talking about roosters.”

Until next time -- take it sleazy!

/ Little Richard: What a beauty ... /

Chihuahua - Mina
Où Es-Tu Ma Joie - Caterina Valente
Babydoll Mambo - Belmonte and His Afro-American Music
Chihuahua - Luis Oliveira and His Bandodalua Boys
Historia de un Amor - Eartha Kitt
Eso - Conjunto TNT
Snow Surfin' Matador - Jan Davis
Scorpion - The Carnations
Sea of Love - The Earls of Suave
Flower of My Heart - Sparkle Moore
Indescribably Blue -Elvis Presley
Lover's Land - Margaret Lewis
Love Letters - Ike & Tina Turner
Little Things Mean a Lot - Jayne Mansfield
Tonight You Belong to Me - Patience & Prudence
Hearts Made of Stone - Rudy Gray
Oh Lonesome Me - Ann-Margret
Commanche - The Revels
Baby Come Back - Esquerita
Nosey Joe - Bull Moose Jackson
Oo Ba La Baby - Mamie van Doren
Stop and Listen - Mickey & Ludella
Fever - Nancy Sit
Raunchy - Bill Black Combo
Don't Be Cruel - Bill Black Combo
Makin' Out - Jody Reynolds
Angel Face - Billy Fury
The Girl Who Invented Rock'n'Roll - Mamie van Doren
Cherry - The Jive Bombers
Sugar Town - Nancy Sinatra
Harley Davidson - Brigitte Bardot
The Swinger - Ann-Margret
You Can't Stop Her - Bobby Marchan
The Big Bounce - Shirley Cadell
Open the Door - The Cochran Brothers
Rip It Up - Little Richard
Astro-Sonic - Jimmy Haskell & His Orchestra
What a Difference a Day Made - Dinah Washington
Chattanooga Choo Choo - Denise Darcel
Wine Spo-Li-Oli - The 5 Strings
Cry - Timi Yuro
Look for the Silver Lining - Chet Baker
Yes, Sir That's My Baby - Ann Richards
Blues in My Heart - The John Buzon Trio
Cha Cha Cha du Loup - Serge Gainsbourg
Love for Sale - Hildegard Knef
Crawlin' - The Untouchables
Beat Girl - Adam Faith (Beat Girl soundtrack)
Womp Womp - Freddie & The Heartaches
Honey Rock - Barney Kessel
Dragon Walk - The Noble Men
Suey - Jayne Mansfield
Groovy - The Groovers
8 Ball - The Hustlers
Diamonds Are a Girl's Best Friend - Julie London
Do It Again - April Stevens
Mack the Knife - Eartha Kitt
You're My Thrill - Dolores Gray
Strip-tease - Nico (Strip-tease soundtrack)
Misirlou - Laurindo Almeida
Summertime - Little Esther
You Know I'm No Good - Wanda Jackson
Jealousy - Billy Fury
Lover - Peggy Lee
Caravan - The John Buzon Trio
Czterdziesci Kasztanów (Forty Chestnuts) - Violetta Villas

This installment's titty shaker ...

28 March 2011 Dr Sketchy Set List

A fun and enjoyable night at The Paradise in Kensal Green. Wait, it’s uncharacteristic of me not to complain about something -- well, the venue was freezing cold, so it was an evening of goose bumps and erect nipples (I speak only for myself here). There.

Our featured burlesque performer and model were both rising burlesque starlets making their Dr Sketchy debuts: performer Ava Iscariot made a real impression with her raven-haired Bettie Page wig and glittery black tarantula-shaped pasties. The gorgeous model Pia was actually a former audience member whose beauty and poise so impressed Dr Sketchy promoter Clare Marie she persuaded her to model for us (this is like a great show biz “discovery” story in the tradition of a nubile young Lana Turner being discovered drinking a milkshake at Schwab's drugstore by a Hollywood agent). Both undoubtedly have great futures ahead of them.

Emcee “Queen of Cabaret” Ophelia Bitz was on typically raucous form: a vision in leopard skin gold sequins, she warned the front row of the audience she wasn’t wearing any underwear and cautioned they might get a glimpse of “flange”. (The spirit of Tallulah Bankhead lives on). One of the definite perks of DJ’ing at Dr Sketchy is having Ophelia sing along to (and sometimes go-go dance along to) the CDs I’m playing in the DJ booth. It’s like being serenaded!

What Is This Thing Called Love? Lena Horne
I Remember You - Chet Baker
Work Song - Nina Simone
If I Should Lose You - George Shearing
You've Changed - Billie Holiday
The Man I Love - Hildegard Knef
Ebb Tide - Al Anthony
Willow Weep for Me - Lizabeth Scott
Harlem Nocturne - Martin Denny
The Immediate Pleasure - John Barry (Beat Girl soundtrack)
Intoxicated Man - Serge Gainsbourg
Un jour comme un autre - Brigitte Bardot
Night Scene - The Rumblers
Two Timing Loser - Johnny Thunders and Patti Paladin
Stop and Listen - Mickey and Ludella
You Got What You Wanted - Ike and Tina Turner
Bewitched - Shirley and Lee
Sea of Love - The Earls of Suave
Flower of My Heart - Sparkle Moore
Tear Drops from My Eyes - Ruth Brown
This Thing Called Love - Esquerita
Hump-a-Baby - Little Ritchie Ray
Pick-Up - The Corvettes
Rock'n'Roll Waltz - Ann-Margret
It's Only Make Believe - Billy Fury
Salamander - Mamie van Doren
Made You - Adam Faith
Intoxica - The Centurions
Love Potion # 9 - Nancy Sit
Yeh, Yeh! Mongo Santamaria
What Is This Generation Coming To? Robert Mitchum
Don't Be Cruel - Bill Black's Combo
Snow Surfin' Matador - Jan Davis
Woh! Woh! Yeah! The Dynamos
Womp Womp - Freddy and The Heartaches
Catwalk - Jack Constanzo
You Know I'm No Good - Wanda Jackson
Anytime - Bill Black's Combo
Crawlin' (The Crawl) - The Untouchables
A Woman Wouldn't be a Woman - Eartha Kitt
Harlem Nocturne - The Viscounts
Beaver Shot - The Periscopes
Dragon Walk - The Noble Men
Caterpillar Crawl - The Strangers
Sick and Tired - Lula Reed
Green Mosquito - The Tune Rockers
The Bee - The Sentinals
Fool I Am - Pat Ferguson
I Ain't in the Mood - Helen Humes
Bonjour Tristesse - Juliette Greco
Lonely Hours - Sarah Vaughan
Black Coffee - Peggy Lee
Sexe - Line Renaud
When Love Goes Wrong - Marilyn Monroe and Jane Russell
Caravan - John Buzon Trio
The Whip - The Originals
Boulevard of Broken Dreams - Sam Butera
Frankie and Johnny - Mae West
Coquette - Dinah Washington
Summertime - Little Esther
Revellion - The Revels

/ Titty shaker du jour: the mighty "Womp Womp" by Freddy & The Heartaches - featuring Lili St Cyr (1918 - 1999) /



Mind-blowing clip from 1960 Italian horror / sexploitation flick The Vampire and The Ballerina. I think calling them "ballerinas" is a bit misleading ...

16 March 2011 Dr Sketchy Set List

/ Early sixties Ike and Tina Turner: I love Ike's mighty processed conk and sleazy little pencil-line mustache. Tina's painted-on eyebrows are worthy of Divine /

This night (at the Royal Vauxhall Tavern) represents one of my angrier and tenser sets that definitely required more alcohol than usual to endure (tense, angry tittyshakers – maybe that’s my new forte?). It all relates to still-raw agonising, mortifying romantic disappointment, but this isn’t that kind of blog so don’t worry, I’ll stop there.

I guess the set list is a bit of a glimpse into a DJ’s inner torment, though: especially the first few songs of desperate rhythm and blues awash in heartache (Little Richard, Lula Reed drowning in her own tears). The two Ike and Tina Turner songs are particular favourites. The lyrics to “You Got What You Wanted” really nails my mindset at the moment. The song (surely Ike and Tina’s finest moment?) has slayed me since I first heard it as a teenager on crackling vinyl: two minutes and 26 seconds of simmering, contained tension that keeps escalating. Tina initially delivers the words of heartbroken lament in a pained snarl, as if through clenched teeth (with the Ikettes cooing their support) until finally lashing out in a full desperate wail. Forget everything you think you know about her admittedly awful post-1980s comeback stadium rock: in the 1960s, Tina truly was the tigress of R&B!

/ Below: cruelly brief fragment of Tina on blistering form, singing "You Got What You Wanted" in 1968. I'd kill to see the entire performance /



The great irony of the Turners' music is that Ike himself wrote for Tina these incredible despairing lyrics to sing - and yet he was the cause of her despair, the reason she can sing them with such turbulent, wrenching conviction. One of the best analyses I’ve ever read of the tortured psychology that makes Ike and Tina’s best music so riveting is in Jimmy McDonough’s biography of sexploitation auteur Russ Meyer (Big Bosoms and Square Jaws, 2005). He shrewdly notes that ...

“... the sexual tension in Meyer’s movies is not dissimilar to that within such classic Ike and Tina Turner records as “You Got What You Wanted” or “I’m Gonna Find Me a Substitute.” Ike Turner – another infamous control freak who worried every detail down to the fringe on the Ikettes costumes – crafted tense, tough, tightly constructed songs for Tina, with melodramatic and often masochistic lyrics that portray a mythical dream woman willing to subjugate herself to Her Man at any expense. At times she struggles to stay on top of the number, singing like there’s a gun at her head. The song is a cage, built for Tina to bust loose from. Her desperate, impassioned, angry vocals often seem at odds with words, adding a layer of divine complexity to one very bizarre and moving puzzle.”

/ Ike and (pre-wig?) Tina: the early years /

Otherwise: the great Tricity Vogue made her very assured debut as a Dr Sketchy emcee and she’s always a blast. She accompanied herself on ukulele on a rendition of “Put the Blame on Mame” (the sultry Rita Hayworth striptease song from the film Gilda) – definitely the evening’s highlight. And Bettie Bottom Dollar (who’s becoming a bit of a Dr Sketchy stalwart) made for a scintillating performer and model.

You Got What You Wanted - Ike and Tina Turner
Drown in My Own Tears - Lula Reed
Directly from My Heart - Little Richard
A Mess of Blues - Elvis Presley
A Cheat - The Earls of Suave
Hurt - Timi Yuro
Snow Surfin' Matador - Jan Davis
Camel Walk - The Saxons
Torture - Kris Jensen
Dragon Walk - The Noblemen
Fools Rush In - Ricky Nelson
You Win Again - Bill Black Combo
Blue Kat - Chuck Rio & The Originals
I'm a Bad Girl - Little Esther
Intoxica - The Centurions
Comin' Home - The Delmonas
Stranger in My Own Hometown - The Earls of Suave
Beat Girl - Adam Faith (Beat Girl soundtrack)
Salamander - Mamie van Doren
Caterpillar Crawl - The Strangers
No Good Lover - Mickey & Sylvia
Baby, I'm Doin' It - Annisteen Allen
What is This Thing Called Love? Esquerita
Drums a Go Go - Hollywood Persuaders
Dansero - Don Baker Trio
Train to Nowhere - The Champs
Crawlin' (The Crawl) - The Untouchables
Like a Baby - Wanda Jackson
Womp Womp - Freddy & the Heartaches
Blues in My Heart - John Buzon Trio
Close Your Eyes - Dolores Gray
Willow Weep for Me - The Whistling Artistry of Muzzy Marcellino
Black Coffee - Julie London
Hiccups - The Empallos
Suey - Jayne Mansfield
Beaver Shot - The Periscopes
Sweet Little Pussycat - Andre Williams
Peter Gunn Locomotion - The Delmonas
Boss - The Rumblers
Chicken Grabber - The Nite Hawks
Revellion - The Revels
Esquerita & The Voola - Esquerita
Black Tarantula - Jody Reynolds
The Beast - Milt Buckner
The Stripper - John Barry (Beat Girl soundtrack)
Love - Eartha Kitt
I'm a Fool to Want You - Billie Holiday
Love Me or Leave Me - Lena Horne
Shadow Woman - Julie London
Sometimes I Wish I Had a Gun - Mink Stole
You've Got That Look That Leaves Me Weak - Marlene Dietrich
Let's Get Lost - Chet Baker
I Put A Spell on You - Nina Simone
If I Should Lose You - George Shearing
Misirlou - Laurindo Almeida
Strip-tease - Nico (Strip-tease soundtrack)
The Good Life - Ann-Margret
Begin the Beguine - Billy Fury

And finally ... perhaps the mother of all tittyshakers. This song ("Crawlin'" by The Untouchables) had become an obsession and it was proving impossible to find until Jorge (aka DJ Zorch) from Los Angeles came to the rescue. I'll be buying him plenty of cerveza when I see him at Viva Las Vegas in April!

/ Gracias, Jorge /

/ Jiggle jiggle: the dancer is the great Cherry Knight  /

12 March 2011 Dr Sketchy Set List

Dorothy Malone demonstrating the Fifties bullet bra’d sweater girl look. Malone is one of the great unsung actresses from the fifties and should be immortal if only for her courageously lurid performance as the alcoholic nymphomaniac sexpot sister in Douglas Sirk’s irresistable 1956 melodrama Written on the Wind. Check out the scene where she unwittingly causes her own father’s death by dancing to frantic mambo music in lingerie in her bedroom. Death by Mambo! It's one of the greatest scenes in any film ever made! They don’t make ‘em like that anymore! (And when I say that, I mean films and actresses).

I don’t know if it’s because they’re held in the daytime (and therefore I wind up drinking beer in the daytime), or because it's on the weekend and I don't have to worry about being tired or hungover the next day, but the Saturday afternoon Dr Sketchy’s at The Old Queen’s Head tend to feel more mellow and laid-back. And the music I tend to play is probably more raucous and rockabilly-ish (punkier? Messier? Certainly louder) as a result.

For this Dr Sketchy the emcee was the vivacious hourglass-contoured Ophelia Bitz (always a blast to work with) and the sole model and performer was platinum blonde showgirl deluxe Slinky Sparkles (who I got to know years ago when I used to work with her at the What Katie Did boutique in Portobello). A burlesque starlet on the rise, Slinky recently got a great break: she’s made it into the finalists and will be participating in the burlesque competition at the annual Viva Las Vegas rockabilly weekender this April. We’re all really proud of her! I’ll be there (trust me, the knowledge am going to Las Vegas in April is one of the few things gluing me together at the moment) so can report back how she does in the competition – am sure the Americans will go berserk for her. Needless to say, when Slinky was posing I went full tilt boogie on sultry sex kitten tunes by the likes of Bardot, Eartha, Julie London, Jayne and Marilyn.

Snow Surfin' Matador - Jan Davis
Vesuvius - The Revels
Beat Generation - Mamie van Doren
Bop Pills - Macy "Skip" Skipper
The Hiccups - The Empallos
A Mess of Blues - Elvis Presley
Ain't That Lovin' You, Baby - The Earls of Suave
Intoxica - The Centurions
Love Potion # 9 - Nancy Sit
Fever - The Delmonas
Beaver Shot - The Periscopes
Your Love is Mine - Ike and Tina Turner
I Love the Life I Live - Esquerita
Directly from My Heart - Little Richard
Last Night - Lula Reed
Torture - Kris Jensen
Torture Rock - The Rockin' Belmarx
Beat Girl - Adam Faith (Beat Girl soundtrack)
L'appareil a sous - Brigitte Bardot
Blockade - The Rumblers
Fool I Am - Pat Ferguson
No Good Lover - Mickey and Sylvia
Bewildered - Shirley and Lee
Teach Me Tonight - Wanda Jackson
Honey's Lovin' Arms - Robert Mitchum
Ole Devil Moon - Chet Baker
Mack the Knife - Ann-Margret
Yogi - Bill Black Combo
Malambo No 1 - Yma Sumac
Laisse-moi tranquille - Serge Gainsbourg
Dansero - Don Baker Trio
Turquoise - Milt Buckner
Close Your Eyes - Dolores Gray
The Beast - Milt Buckner
Harlem Nocturne - The Viscounts
Whatever Lola Wants - Eartha Kitt
Blues in My Heart - The John Buzon Trio
Honeysuckle Rose - Marlene Dietrich
Do It Again - April Stevens
Give Me Love - Lena Horne
Shangri-la - Spike Jones New Band
Groovy - The Groovers
Suey - Jayne Mansfield
8-Ball - The Hustlers
That's a Pretty Good Love - Big Maybelle
You Can't Stop Her - Bobby Marchan
Sweet Little Pussycat - Andre Williams
Fujiyama Mama - Annisteen Allen
Save It - Mel Robbins
Tall Cool One - The Wailers
One, Two, Let's Rock - Sugar Pie and Pee Wee
Killer - Sparkle Moore
Accentuate the Positive - Bill Black Combo
Go Slow - Julie London
Kiss - Marilyn Monroe
Mondo Moodo - Earls of Suave
Bubble Gum - Brigitte Bardot
The Stripper - John Barry (Beat Girl soundtrack)
13 Men - Ann-Margret
That Makes It - Jayne Mansfield
The Girl Can't Help It - Little Richard
Hound Dog - Little Esther
Jim Dandy - LaVerne Baker
Begin the Beguine - Billy Fury
Mack the Knife - Hildegard Knef
La Javanaise - Juliette Greco
Machins Choses - Serge Gainsbourg
Caravan - The Dell Trio
Czterdziesci Kasztanów (Forty Chestnuts) - Violetta Villas
Lover - Peggy Lee

I realise I haven't posted any samples of the dark art of the titty shaker recently. Let's remedy this right away with this ultra sleazy gem by Andre Williams.

28 February 2011 Dr Sketchy Set List

/ Kiki de Montparnasse /

Not one of my better nights! This Dr Sketchy was actually based around the launch of the graphic novel / biography Kiki de Montparnasse, about the bohemian 1920s Parisian nightclub chanteuse, scene maker, Man Ray muse and model (and artist in her own right). I only caught a glimpse of the book, but it looked beautiful. I wasn’t briefed that well about this in advance: it turns out the musical policy for the night was meant to be “1920s” – which is one era am definitely not that knowledgeable about or particularly motivated by (Charleston music? Flapper music? I don’t really feel it!). So I turned up to The Paradise with a grand total of zero 1920s tunes to play!

/ The Queen of Montparnasse, photographed by Man Ray /

/ Below: trippy/surreal video of Kiki in action /



Luckily our featured burlesque performer (the reliably excellent Marianne Cheesecake) had her laptop with her and it was loaded up with twenties music (she uses it in her act a lot. It was mostly songs by Fletcher Henderson) so we hooked it up to the decks and for the first hour or so I played her selection from iTunes. But standing there with my arms folded didn’t really feel like DJ’ing so at a certain point I snapped and wound up playing my usual brand of sleaze from the entirely wrong era! (This also explains why the set list looks so much shorter than usual!). I was kicking myself afterwards because while I don’t have much in the way of 1920s music, what I do have a lot of is French chanson music from roughly the right period if only I’d known to bring it. In particular the first time I went to Paris I snapped up a compilation of French cabaret / music hall songs from the 1930s featuring the likes of Piaf, Josephine Baker, Jean Gabin, Arletty, Frehel, Charles Trenet, Maurice Chevalier, Mistinguett, etc – that would have worked beautifully in this context!

I also drank a bit more than usual (or actually not, but maybe I didn’t eat enough beforehand) and things got a bit sloppy: I played some songs in error (!) and even played one track more than once! Like I said, not one of my better nights. Still, it’s impossible not to have fun when working with Ophelia Bitz (the emcee for this Dr Sketchy), Marianne Cheesecake was amazing (especially her gold Josephine Baker-inspired outfit with the banana skirt) and I managed to pay a little tribute to the late, great Jane Russell: when Bomb Voyage and Cheesecake modelled together, I played the Russell-Monroe duet from Gentlemen Prefer Blondes, “Two Little Girls from Little Rock.”


/ Marianne Cheesecake promotional video / showreel /



What a Little Moonlight Can Do - Billie Holiday
Coco and Co - Serge Gainsbourg
Die Herrn ... Hildegard Knef
Crazy She Calls Me - Chet Baker
Champagne Taste - Eartha Kitt
Kiss Me Honey Honey - The Delmonas
You Win Again - Bill Black Combo
Lucky - Lizabeth Scott
What is This Thing Called Love? Lena Horne
Frankie & Johnny / Honky Tonk - Bill Black Combo
Don't You Feel My Leg - Blue Lu Barker
Assez - Marlene Dietrich
(Some Fletcher Henderson tracks)
Sexe - Lene Rinaud
Falling in Love Again - Billie Holiday
Java Partout - Juliette Greco
Some Small Chance - Serge Gainsbourg
Cherry Pink - Bill Black Combo
She's My Witch - The Earls of Suave
Makin' Out - Jody Reynolds
Do It Again - April Stevens
You're My Thrill (instrumental) - Chet Baker
Mondo Moodo - The Earls of Suave
Eight Ball - The Hustlers
That's A Pretty Good Love - Big Maybelle
Hiccups - The Empallos
Vesuvius - The Revels
Maybe Baby - Esquerita
Jim Dandy - LaVerne Baker
My Daddy Rocks Me - Mae West
Tall Cool One - The Wailers
I Would if I Could - Ruth Brown
Under the Bridges of Paris - Eartha Kitt
Jezabel - Edith Piaf
Penthouse Serenade - Dolores Gray
Moi, Je M`ennuie - Marlene Dietrich (meant to play this; played an entirely different track)
Mack the Knife - Ann-Margret
These Foolish Things - Chet Baker (played twice in a row in error!)
Crazy Horse Swing - Serge Gainsbourg (Strip Tease soundtrack)
Two Little Girls from Little Rock - Jane Russell and Marilyn Monroe
Shangri-la - Spike Jones New Band
Striptease - Juliette Greco (Strip Tease soundtrack)
Diamonds Are a Girl's Best Friend - Julie London
Peter Gunn Twist - The Jesters
Suey - Jayne Mansfield
Groovy - The Groovers
Monkey Bird - The Revels

Jane Russell (1921 - 2011): What a woman! Truly amazonian, the definition of "statuesque." (Photo courtesy of the wonderful blog Stirred, Straight Up, with a Twist). This pic is definitely from the film The Revolt of Mamie Stover (1956), in which Russell was a redhead

Russell's obituaries inevitably cited The Outlaw (1943) and Gentlemen Prefer Blondes (1955), but for me La Russell's best films were the two atmospheric noirs that partnered her with my all-time favourite actor Robert Mitchum: His Kind of Woman (1951) and the even better Josef von Sternberg-directed Macao (1952). Mitchum and Russell smouldered together: so laconic, lazy and good-natured. You never caught either of them acting -- they were like two sleek, beautiful animals that just sauntered up in front of the camera exuding effortless charisma and sex appeal. Russell was also an underrated singer. This is her singing the torch standard "One for My Baby (and One More for the Road)" in Macao -- a nice way to remember her.



/ Below: Robert Mitchum and Jane Russell /