/ Nice 1950s beefcake "ass shot" of delectable young Tony Curtis /
Cockabilly (London’s only monthly gay rockabilly night!) triumphantly
returned to its ideal venue / spiritual home The George and Dragon earlier this summer after a lengthy hiatus. (Epicentre of East End bohemia George and Dragon
is my favourite bar in London – close second is the nearby Joiners Arms).
Happy times! It was great to guest DJ at the October 2013 Cockabilly. DJ’ing at one
of these nights always feels like getting back to basics: it was at the
earliest Cockabillies circa 2008 I gradually started easing myself into the dark art of DJ’ing. I've been addicted ever since! Cockabilly (and the two guys who organise it, Mal and Paul) will always have a
place in my heart for setting me on my demented and inept path.
Having said that, the night was quite messy: 1) I got
pretty drunk early on and 2) there was technical issues a go-go. The George and Dragon
recently underwent some renovations and moved the DJ booth from its traditional
corner by the bar to an upper mezzanine level. DJ’ing up there
certainly feels glamorous and the view is great but ever since the relocation
the audio has been weirdly muted. (I’d seen nightclubbing royalty Princess Julia DJ at The George and Dragon just before this Cockabilly and kept
thinking, "Does she realise how quiet the volume is?"). This time Mal and I had
the volume cranked up as high as it would go (it was jammed in the red!) and yet my
friend Eric (seated with my friends Pal and Phil) was texting me from his table below, “Turn it up, grrrl!” It was really
frustrating, playing some of my most rancid and blistering tunes and
knowing it was muffled! Finally savvy Elma Wolf (of Twat Boutique notoriety), one of the
night’s co-DJs, arrived and immediately declared she could barely hear what I
was playing. She knelt down, fiddled with some secret dial I didn't even know was there,
and instantly remedied the sound problem! Suddenly the music was blaring –
loud, confrontational and obnoxious, just the way I like it! Which was a
relief, but I was bummed out the entire first half of my set had been barely
audible! Elma recommended I might as well play the same tracks all over again - no one
would know the difference. Aaack!
Cockabilly may be billed as a gay rockabilly night, but really the emphasis is on keeping
things rowdy, good-natured and boozy rather than sticking to any particular genre. As per
usual at Cockabilly, I whipped together a pagan, primitive and taboo tsunami of vintage musical sleaze: 1950s rock’n’roll, surf instrumentals,
punk, kitsch-y weird shit, obscure cover versions and rhythm and blues (I played Ike and Tina Turner twice!). I'm always really critical looking back at my set list wondering, why the hell didn't I play this instead? (For example I'd packed Charlie Feathers, Hasil Adkins, Wanda Jackson, Esquerita - and didn't play a single track by any of 'em! Ah, well - next time).
/ No one fused hardcore punk thrash and rockabilly quite like Los Angeles punk band X - one of my favourite groups of all time. Playing a track by them at Cockabilly or Lobotomy Room is freaking essential /In other news, I can now add “glamour model” to my CV. I had a “red hot camera session” with the insanely talented Adrian Lourie for Meat magazine the night before Cockabilly. How much did I take off? You’ll have to wait for the next issue (due end of November 2013) to find out. (Presuming I make the cut and am included!). The photo shoot was a lot like this. I was channeling Jayne Mansfield the whole time, and sucking in my stomach so hard my eyes were popping out of my head.
Further reading:
Read about previous Cockabillies here, here, here, here and here.
Follow me on tumblr for loads of vintage kitsch, smut and homoerotica (NSFW to the max!)
Dragon Walk - The Noble Men
Little Queenie - The Bill Black Combo
You're Driving Me Crazy - Dorothy Berry
Welfare Cheese - Emanuel Lanskey
Batman Theme - Link Wray and His Ray Men
Jim Dandy - Ann-Margret
Wiped-Out - The Escorts
He's The One - Ike and Tina Turner
Lucille - Masaaki Hirao
The Girl Can't Help It - Little Richard
Whistle Bait - The Collins Kids
Rock Around the Clock - The Sex Pistols
Ring of Fire - The Earls of Suave
Margaya - The Fender Four
Big Bounce - Shirley Caddell
Year 1 - X
Beat Party - Ritchie and The Squires
Breathless - Arlie Neaville
Sweetie Pie - Eddie Cochran
Chicken - The Cramps
I Walk Like Jayne Mansfield - The 5,6,7,8s
That Makes It - Jayne Mansfield
Woo-Hoo - The Rock-A-Teens
Roll with Me Henry - Etta James
Fools Rush In - Ricky Nelson
Devil in Disguise - Elvis Presley
C'Mon Everybody - Sid Vicious
Boss - The Rumblers
Tina's Dilemma - Ike and Tina Turner
Jim Dandy - Sara Lee and The Spades
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