Showing posts with label Denise Darcel. Show all posts
Showing posts with label Denise Darcel. Show all posts

Saturday, 21 December 2013

20 November 2013 DJ Set List for Dr Sketchy


Phew! I am whoppingly behind with my blogging. Life has got in the way in recent months: Iwas in Canada for two weeks over Halloween and since getting back I've been DJ’ing a lot and started a very demanding new job. So I'm exhausted and distracted a lot of the time, but if I don’t document my DJ’ing misadventures, no one else is going to do it for me! And besides, I have overwhelming OCD about these things. So this blog will be a speedier than usual catch-up.

As you can see, I eased into the November 2013 Dr Sketchy at The Royal Vauxhall Tavern with some ethereal and pagan mondo exotica via the magic of Martin Denny, Les Baxter and the genre’s ululating high priestess Yma Sumac. I think exotica’s last real hey day was in the easy listening "loungecore" revival of the early nineties, but I’m determined to bring it back again!  Those jungle noises, cawing birds and ominous tribal chanting sound effects are like aural catnip for me. I also suspect I’m the only DJ currently playing calypso on a regular basis. Not the genuine article, but the gloriously ersatz and kitsch variety of faux novelty calypso performed by jive honky white crackers (in this case, Robert Mitchum – who invented the genre with his classic 1957 album Calypso is Like So, Mamie Van Doren and First Lady of Rockabilly Wanda Jackson).

Otherwise: I continue to be obsessed by the angel-faced “Japanese Elvis” Masaaki Hirao. (I try to sprinkle in some other songs by him, but I’m addicted to his version of “Lucille” – in fact I think I love it even more than Little Richard’s original!). It wouldn't be a Dr Sketchy without some Las Vegas Grind-style sleazy, bump'n'grind tittyshaker instrumentals. While the evening’s featured performer Frankie von Flirter modelled, I sound-tracked her poses with cooing sex kittens (Julie London, Bardot, Marilyn Monroe, Jayne Mansfield).



Speaking of international vintage sex kittens, I played a track by ultra-sultry "ooh la la" French actrice et chanteuse Denise Darcel for the first time in ages (her wonderfully camp 1958 Banned in Boston album used to be one of my staples at Dr Sketchy. She croons in a thick comedic French accent – imagine a sexy female Pepe le Pew). The Parisian beauty pageant winner turned Hollywood starlet (specialising in playing characters named Fifi, Gigi and Lola in films like Tarzan and the Slave Girl and Seven Women from Hell) turned nightclub songbird turned (when legitimate show biz offers dried up) stripper was never exactly a household name. You’d be forgiven for thinking Darcel would be dimly-remembered today by only the most rabid of old movie junkies. In fact, her name tops the all-time most popular search engine entries for my blog! So she is clearly a cult figure out there who gets Googled a lot! Darcel died aged 87 on 23 December 2011 – meaning the second anniversary of her death is fast approaching.  Read her obituary here. (I have written about Darcel before in more detail here).  Merci, Denise Darcel - you made the world a more divoon place.




/ Satan's Angel and I at Viva Las Vegas in 2010 / 

Another fabulous babe and source of inspiration is doyenne of exotic dance and true burlesque royalty, Satan’s Angel (the savagely-pouting and bouffant-haired pin-up featured at the top of this blog). I got to see Satan’s Angel perform and briefly meet and talk to her at Viva Las Vegas in 2010. She was great – a raspy-voiced, hard-boiled but sweet tough cookie and a true old-school broad. Since then I've befriended her on Facebook and am always entertained by her straight-talking status updates. Just two of the reasons I love this woman: as an out and proud lesbian on the Mafia-ruled burlesque scene in the 1960s she defiantly endured her share of prejudice. (Apparently her female lovers included Hedy Lamarr and Janis Joplin). Satan’s Angel also used to play bass in a topless all-girl rock’n’roll band called The Hummingbirds who used to do a residency at the nite spot Tipsy’s in San Francisco’s North Beach. (How Beyond the Valley of the Dolls / Russ Meyer-esque! Oh, for a time machine!). Now 69, she’s still performing, teaches her patented “fire tassel twirling” technique to today's neo-burlesque performers – and still stirs up trouble! Welcome to her wild, wild world!


Satan's Angel with her friend and peer, the late great Tura Satana (1938-2011)


/ Candid snap of a very young Satan's Angel at home at Christmas time in the early 1960s. Now that is a killer bullet bra! /



/ Trailer for an intriguing-looking 2013 documentary about the life and career of Satan's Angel /

Jungle Madness - Les Baxter
Taita Inty (Virgin of the Sun God)- Yma Sumac
Misirlou - Martin Denny
Anohi Kara - Masaaki Hirao
Sleep Walk - Henri Renee and His Orchestra
Caravan - 80 Drums Around the World
Kismiaz - The Cramps
Monkey Bird - The Revels
La-bas c'est naturel - Serge Gainsbourg
Champagne Taste - Eartha Kitt
Cocktail for Two - Cliff Dauphiney
The Whip - The Originals
Tonight You Belong to Me - Patience and Prudence
Long Distance - Garnell Cooper and The Kinfolks
All of Me - Mae West
Honey Rock - Barney Kessel
Here Comes the Bug - The Rumblers
I'm a Bad, Bad Girl - Little Esther
The Coo - Wayne Cochran
Intoxica - The Centurions
Leave Married Women Alone - Jimmy Cavallo
Bombora - The Original Surf-aris
Nosey Joe - Bull Moose Jackson
Coconut Water - Robert Mitchum
Dona Wana - Wanda Jackson
Go Calypso! Mamie Van Doren
Vesuvius - The Revels
Save It - Mel Robbins
Night Scene - The Rumblers
Ain't That Lovin' You, Baby - The Earls of Suave
Serenata - The Jonah Jones Quarter
Give Me Love - Lena Horne
Sexe - Line Renaud
Some Small Chance - Serge Gainsbourg (Strip-tease soundtrack)
What is a Man? Denise Darcel
I Want a Boy - Connie Russell
Crazy Vibrations - The Bikini
You're the Boss - Elvis Presley and Ann-Margret
Bewildered - Shirley and Lee
Intoxica - The Revels
Tina's Dilemma - Ike and Tina Turner
Little Queenie - The Bill Black Combo
Jailhouse Rock - Masaaki Hirao
Margaya - The Fender Four
Suey - Jayne Mansfield
Pass The Hatchet - Roger and The Gypsies
Handclapping Time - The Fabulous Raiders
Sometimes I Wish I Had a Gun - Mink Stole
Black Coffee - Julie London
Je me donne à qui me plaît - Brigitte Bardot 
You'd Be Surprised - Marilyn Monroe
Lucky - Lizabeth Scott
The Beast - Milt Buckner
Torture Rock - Rockin' Belmarx
Je t'aime moi non plus - Serge Gainsbourg and Brigitte Bardot
The Whip - The Frantics
Love is Strange - Johnny Thunders and Patti Palladin
Kool Kat Walk - Julee Cruise
La Javanaise - Juliette Greco
Last Call for Whiskey - Choker Campbell






Sunday, 9 January 2011

8 January 2011 Dr Sketchy Set List



/ Happy New Year! /

The first Dr Sketchy of the New Year! This time it was upstairs at The Old Queen's Head in Angel. Annoyingly, I was bedevilled by technical hitches for the first hour or so: the sound was coming out muted no matter how loud I cranked up the volume on the decks, which is frustrating when you’re playing desperate 1950s rhythm and blues and grinding titty shakers that need to be LOUD! At one stage early on our glamorous burlesque performer Sophia St Villier stood in a corner under a speaker across the room to test the audio for me and came back to report “it’s one step above mood music!” Luckily one of the Old Queens Head employees figured out the problem (he just whacked everything up in another room where the controls are!) and the sound quality improved dramatically for the rest of the day. Loud and confrontational – that’s the way I like it!

As previously mentioned, the featured burlesque artiste was Rita Hayworth-style redhead Sophia St Villier, who was great as always. She performed a dazzling routine that ended with her drenching herself, the stage and probably the first row of the audience with silver glitter. The other model was Bomb Voyage, our versatile door girl who occasionally steps in to model. Bomb rocks a punkier look than the average Dr Sketchy model (skintight rubber leggings, tattoos) so if you notice the music turning a bit darker and more aggressive at some points, that’s probably while she was modelling!

Intoxica - The Revels
Last Night - Lula Reed
Loberta - Bobby Marchan & The Clowns
Fool I Am - Pat Ferguson
Strange Love - Slim Harpo
Everywhere I Go - Ted Taylor
Trashcan - Ken Williams
Suey - Jayne Mansfield
Don't Do It - April Stevens
Tight Skirt, Tight Sweater - The Versatones
I Was Born To Cry - Johnny Thunders
Salamander - Mamie van Doren
Boss - The Rumblers
Little Ole Wine Drinker Me - Robert Mitchum
St Louis Blues - Eartha Kitt
Vesuvius - The Revels
Baby Let Me Bang Your Box - The Bangers
Don't Fuck Around with Love - The Blenders
Jungle Walk - The Dyna-Sores
Beat Girl - John Barry (Beat Girl soundtrack)
Rockin' the Joint - Esquerita
Yogi - Bill Black Combo
Poontang - The Treniers
I Need Your Lovin' - Don Gardner & DeeDee Ford
Turquoise - Milt Buckner
Mondo Moodo - The Earls of Suave
I Feel So Mmmm - Diana Dors
The Whip - The Frantics
Fever - Richard Marino & His Orchestra
Sweet Little Pussycat - Andre Williams
8 Ball - The Hustlers
Blue Moon Baby - Dave "Diddle" Day
Caravan - The Dell Trio
The Swinger - Ann-Margret
Black Tarantula - Jody Reynolds
Cherry Wine - Little Esther
One, Two, Let's Rock - Sugar Pie & Pee Wee
Baby, I'm Doin' It - Annisteen Allen
Rip It Up - Little Richard
Peter Gunn Twist - The Jesters
Esquerita and The Voola - Esquerita
Chicken Grabber - The Nite Hawks
Taki Rari - Yma Sumac
If I Should Lose You - George Shearing
Willow Weep for You - The Whistling Artistry of Muzzy Marcellino
Strip-tease - Juliette Greco (Strip-tease soundtrack)
Street Scene '58 - Lou Busch & His Orchestra
Crazy Horse Swing - Serge Gainsbourg (Strip-tease soundtrack)
Go Slow - Julie London
Give Me Love - Lena Horne
I Put A Spell on You - Nina Simone
You're My Thrill - Dolores Gray
Petite Fleur - Chet Baker
I'm in the Mood for Love - Denise Darcel
Love Me - Marlene Dietrich
Sleep Walk - Henri Renee & His Orchestra
Shangri-la - Spike Jones New Band
Do It Again - April Stevens
Sometimes I Wish I Had a Gun - Mink Stole
Love for Sale - Hildegard Knef
The Whip - The Originals
Gizmo - Jimmy Heap
The Girl Can't Help It - Little Richard
Ain't That Lovin' You Baby - The Earls of Suave
Begin the Beguine - Billy Fury
Hound Dog - Little Esther
Destination Moon - Dinah Washington

A while back I wrote about the doomed jazz vocalist Ann Richards. Another obscure singer I love to play at Dr Sketchy is Denise Darcel, the French actress and singer, whose story luckily isn’t quite so tragic. I discovered Darcel by accident because I wanted to track down Lizabeth Scott’s 1957 album Lizabeth.(The elusive Lizabeth Scott is my all-time favourite film noir actress and merits a whole blog entry of her own). It turned out that when Lizabeth was reissued on CD recently, it came as a package with Denise Darcel’s album Banned in Boston. Which was a real bonus, as Denise Darcel is a blast!




Born Denise Billecard in 1925 in Paris, after suffering a turbulent period during World War II (her father died when the Nazis occupied the family home) she won a beauty contest as a teenager that garnered her publicity as “The Most Beautiful Girl in Paris” and “The Most Photographed Girl in Paris”. Darcel parlayed this notoriety into a successful career as a Parisian nightclub chanteuse before heading to Hollywood in 1947 (with a quickly-dropped American husband in tow) to pursue international stardom. While Darcel’s leading men in Hollywood would include the likes of Burt Lancaster, Gary Cooper, Robert Taylor and Glenn Ford, she never achieved A-list success and her filmography reads like a real mixed bag: a few Westerns, a Tarzan film (Tarzan and The Slave Girl, with Lex Barker in 1950), an Esther Williams musical (Dangerous When Wet in 1953).

Darcel, though, proved to be a pragmatic and durable tough cookie: when the acting stint in Hollywood fizzled out (her last film was the intriguingly-titled Seven Women from Hell in 1961), she returned to night club and cabaret singing. When singing, too, stopped being lucrative, Darcel – by then in her 40s – showed true grit by turning to stripping. (The attached photo of her as burlesque artiste was taken in 1967). “Zat is where ze money is,” she reportedly explained to a reporter.


/ Shake it! Denise Darcel in her striptease years/

As a burlesque artist she performed in Las Vegas. When Darcel presumably became too old to strip, she eventually returned to Vegas and worked as a casino dealer. Darcel is now 86 and although in the few photos I’ve seen of her online she appears to be wheelchair-bound, she otherwise looks good. Someone should track Denise Darcel down and interview her before it’s too late: I bet she has a few stories to tell!

Her album Banned in Boston was recorded sometime in the 1950s (the details seem vague: The original release date is not even listed in the liner notes of the CD!) and heard today is incredibly enjoyable. It’s a risqué collection of sexy songs, heavy on the Cole Porter and Rodgers and Hart, which in theory represents what Darcel’s nightclub act would have been like. On the comedic songs she works a thick French ‘Allo! ‘Allo! accent pitched somewhere between Pepe le Pew and a female Maurice Chevalier. On the more serious and sensual songs like “Love for Sale”, “I’m in the Mood for Love” and “Boulevard of Broken Dreams”, Darcel emerges as a genuinely talented and emotive torch singer. All of the songs she delivers with real verve and individuality. The best track is the strangest: the album is predominantly tinkly cocktail lounge music, but it ends with a driving quasi-rockabilly rendition of “Chattanooga-Choo-Choo”, propelled by wonderfully sleazy blurting saxophone. Sounding like a French Marlene Dietrich, a pissed-off Darcel snarls the lyrics as if she’s simmering with anger. The results are strikingly weird – and sexy as hell. I have to admit I play this a lot, and people almost always ask, “What was that?” That was Denise Darcel!

Keep track of upcoming Dr Sketchy's here.