Friday 16 September 2022

Reflections on ... Aline (2020)

 

I was in Canada (for the first time since 2017) between 31 August – 7 September. On the Air Canada flight from London to Montreal I finally watched Aline, the notorious French-Canadian 2020 Céline Dion biopic. (Even though the film’s tone is insanely worshipful, this is an unauthorized biopic so “Céline Dion” is referred to as “Aline Dieu.” But the Quebecoise diva’s management apparently signed-off on the project because all her hits are used. The singing is provided by Victoria Sio but you’d swear it was via Dion herself). 

Anyway, Aline cleaves to every conventional rags-to-riches show biz cliche. One major obstacle for the film is how to smooth-over and make palatable Aline’s romance with Guy-Claude (Sylvain Marcel), the much older record producer / mentor who first meets her aged nine, guides her to stardom and then marries her once she reaches adulthood. Another considerable downside if – like me – you’re not a fan of Dion’s power ballads is suffering through the multiple loving recreations of Dion in concert. (Her version of Tina Turner’s "River Deep Mountain High" is a crime against music!). 

In the tradition of Barbra Streisand, French actress Valérie Lemercier stars, writes and directs. Aline is clearly a labour of love for Lemercier and you can’t fault her commitment. But she makes a truly nutty creative decision that ensures Aline some degree of Bad Movies We Love-style infamy. The 57-year-old Lemercier opts to portray Aline throughout all her life – including early scenes as a 9-year-old and 12-year-old. Watching a wide-eyed and “Facetuned” Lemercier nibbling on a cookie is so genuinely freaky it feels like an Amy Sedaris parody

In a final flourish of craziness, it ends with Aline delivering the most bombastic ballad imaginable direct to camera, insisting she's just an ordinary woman who loves her neighbour and just wants world peace. (It turns into a plea for humanity). In conclusion, Aline needs to be seen to be believed. Frustratingly, it’s still not available for streaming in the UK!




2 comments:

  1. Hate that "Slime Dion" (as we call her), so I shan't be watching this one, ta. Jx

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  2. You're killing me with this one. Wow. How did she get the money to make this? I am gobsmacked. First of all... I liked Celine for her first two US breakthrough singles... and then, about the time of The Power Of Love... was done with it. Also, keep in mind, Celine didn't write her own material, so, if you throw money at a songwriter? They will take it, authorized bio or not. I can't wait to find this one and watch it. It's double creepy.

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