Remembering Jean Hill (15 November 1946 – 21 August 2013)

 

“The doorbell rang, I opened the door and there she was – my dream-come-true, four-hundred pounds of raw talent. I carefully invited Jean in, and the first thing she did was goose me to totally unnerve me. She asked for a drink and got it. She laughed and said she had no objections to nudity (“I’ve got a lot to show, honey”), would certainly dye her hair blonde (“Big deal. I’ve had blonde hair twice before”) and asked for a special chair that wouldn’t break when she sat on it. After listening to her give a hilarious reading from the script, we went over the contract, I gave her an advance on her salary, and it was settled.” 

/ John Waters recalling his first encounter with Jean Hill when she auditioned for Desperate Living in the book Shock Value (1981) / 

“Could the mighty Jean Hill in her very heart have been a deeply sincere, vulnerable and perhaps even a (gasp!) shy person? Actually, I think she was, and her outrageous persona was a way to compensate for this and connect with people and get them to drop the bullshit, prejudice and affectation and deal with her person-to-person. She refused to be labelled. She was fat, she was black, and her health problems forced her to become a kind of permanent “patient,” and she was sometimes on welfare, so she was also filed as a “charity case,” but she refused to be put in any of these boxes or to be looked down upon. She was forged in defiance. There is nothing unique about that — the ghetto is full of defiant people, but it becomes special when that defiance is coupled with intelligence, wit, humour, compassion and a flair for the absurd, and that’s what made Jean stand out in any crowd.” 

/ From the Bright Lights Film Journal's lyrical, sensitive obituary for Jean Hill by Jack Stevenson / 

Died on this day ten years ago: John Waters’ majestic “soul diva” Jean Hill (15 November 1946 – 21 August 2013), unforgettable as Grizelda in his 1977 bad taste punk classick Desperate Living. (She also makes a fleeting but vivid cameo appearance in Waters' 1981 film Polyester).