Next Lobotomy Room film club: Dead Ringer (1964) on Thursday 16 January 2025

 

For the first film club presentation of the New Year, Lobotomy Room comes screaming back (out of the gutter and into your arms!) with ultra-campy 1964 psychological thriller Dead Ringer (aka Who Is Buried in My Grave?)! Thursday 16 January at Fontaine’s! Starring volcanic grande dame of golden age Hollywood Miss Bette “Mother Goddamn” Davis in dual roles! (As Eric Henderson of Slant magazine puts it, “It features the compelling spectacle of Bette Davis competing for screen space with the only actress capable of upstaging her: Bette Davis”). 

Made between What Ever Happened to Baby Jane? and Hush … Hush, Sweet Charlotte, it sees Davis portraying long-estranged identical twin sisters (Margaret is now an affluent socialite, while Edith is impoverished, seething with resentment - and vengeful). Veteran Davis’ career was so long at this point she’d already made a variation of this film in the 1940s with A Stolen Life (1946)! Packed with juicy suspenseful twists and turns, Dead Ringer is a blast! And Davis in full blowtorch abrasive, gloriously self-parodic Medusa-like mode is simply magnificent. (This is precisely the incarnation of Davis that nightclub female impersonators like Charles Pierce and Craig Russell would seize on). 

Lobotomy Room is the FREE monthly film club devoted to Bad Movies for Bad People! Third Thursday night of every month downstairs at Fontaine’s cocktail lounge in Dalston. Numbers are limited, so reserve your seat via Fontaine’s website. Alternatively, phone 07718000546 or email bookings@fontaines.bar. (Fontaine’s is closed until 10 January so don’t be surprised if you don’t hear back until later in month). The film starts at 8:30 pm. Doors to the basement Bamboo Lounge open at 8:00 pm. To ensure everyone is seated and cocktails are ordered on time, please arrive by 8:15 pm at the latest. Facebook event page. 

And remember -- the only thing more fun than a movie starring Bette Davis – is a movie starring TWO Bette Davises!

Watch the trailer below:

Next Lobotomy Room Film Club ... Desire (1936) on 15 February 2024

“Marlene Dietrich, with her pencil-line arched eyebrows, as the most elegantly amusing international jewel thief ever. She steals a pearl necklace in Paris and speeds toward Spain; on her way she has a series of encounters with Gary Cooper, a motor engineer from Detroit who is on holiday. Produced by Ernst Lubitsch, for Paramount, and directed by Frank Borzage, this is a polished light comedy in the "continental" style - a sophisticated romantic trifle, with Dietrich more chic and modern than in her von Sternberg pictures. When she eyes Cooper, she's so captivating, you almost feel sorry for him; there's an image of her standing against French doors that is simply peerlessly sexy. But you can also see why this European sophisticate longs for the American innocent. Cooper is a bit coy and rambunctious in his Americanness but wearing narrow-tailored suits and with his hair sleek he's the ideal Art Deco hero. And he's great when he leans close to Dietrich and says, dreamily, "All I know about you is you stole my car and I'm insane about you." When he's being threatened by her crooked associate (John Halliday), who remarks, tauntingly, "One mustn't underestimate America - it's a big country," he bends forward and says, "Six foot three."”

/ Pauline Kael’s review of Desire (1936) /

Considering the February film club almost coincides with Valentine’s Day and to prove that even Lobotomy Room can occasionally raise the tone, on 15 February we whisk you away to The Spanish Riviera for sumptuous 1936 romantic screwball comedy Desire! Gary Cooper stars as Tom Bradley, a naïve American automotive engineer who becomes entangled with Marlene Dietrich’s enigmatic Madeleine Beaupré – described by Pauline Kael as “the most elegantly amusing jewel thief ever.” Directed by Frank Borzage, with lavish costumes by Travis Banton and songs by Frederick Hollander (who wrote all of Dietrich’s best musical numbers – including “Falling in Love Again”) and featuring the two leads at the height of their considerable beauty, Desire is an Art Deco gem of a movie! Join us to wallow in sheer glamour over cocktails in the splendour of Fontaine’s in Dalston.

Lobotomy Room is the FREE monthly film club devoted to cinematic perversity! Third Thursday night of every month downstairs at Fontaine’s cocktail lounge in Dalston. Numbers are limited, so reserving in advance via Fontaine’s website is essential. Alternatively, phone 07718000546 or email bookings@fontaines.bar. The film starts at 8:30 pm. Doors to the basement Bamboo Lounge open at 8:00 pm. To ensure everyone is seated and cocktails are ordered on time, please arrive by 8:15 pm at the latest. Facebook event page.

Some fun facts about Desire: it was originally meant to be directed by Ernst Lubitsch – and entitled The Pearl Necklace! Marlene Dietrich stars as a glamorous and amoral jewel thief who - due to wacky screwball hijinks - becomes entangled with unworldly vacationing American-in-Paris automobile engineer Gary Cooper. Desire reunites Dietrich and Cooper for the first time since their triumphant pairing in Morocco in 1930 (which was Dietrich's Hollywood debut). As Dietrich’s definitive biographer Steven Bach asserts, “Cooper was not just her first American leading man, but her best.” Decide for yourself on 15 February! 

/ Below: find someone who looks at you with the same delight as Marlene Dietrich contemplating these pearls! /

Trailer:

The Next Lobotomy Room Film Club: The Leech Woman (1960) on 21 September 2023

 

Are you anxious about the specter of old age? Do you dread the inevitable ravages of time? Honey, we all do! Let’s watch a movie that exacerbates those fears! (To clarify, I mean aging of the female variety! A man ageing is entirely fine, obviously!). 

Yes! Join us at Fontaine’s cocktail bar in Dalston on Thursday 21 September when the FREE monthly Lobotomy Room cinema club (devoted to Bad Movies for Bad People) presents ultra-trashy 1960 exploitation movie The Leech Woman! (Tagline: “Her evil jungle-born secret of eternal youth … drained the love and life from every man she trapped!”). 

The Leech Woman opens with suave endocrinologist Dr Paul Talbot (hunky Phillip Terry – an ex-husband of Joan Crawford!) bickering with his embittered, haggard and alcoholic older wife June (Coleen Gray, best remembered for co-starring opposite Tyrone Power in disturbing 1947 noir Nightmare Alley). We know June is evil because she’s wearing one of those Cruella de Vil-style fox fur stoles with the heads still attached). 

/ Out of what terrifying jungle rites had come her awesome secret – for prolonging life – and regaining youth and beauty? Estelle Helmsley as Malla /

They are interrupted by the arrival of Dr Talbot’s mysterious new patient – a shriveled ancient-looking woman called Malla (Estelle Helmsley) who claims to be 150 years old and to know the secret of restoring lost youth – but first they must accompany her back to her ancestral village in Africa. And ominously, Malla hisses to June, “You are the one in my dreams of blood!”  What could possibly go wrong? 

/ Every victim makes her young … beautiful … and more dangerous than before! Coleen Gray as June Talbot /

There are voodoo rituals. Human sacrifice. Stock footage of screeching monkeys and hissing snakes. Quicksand. But weirdly, no leeches! Spaces are limited, so reserve your seat now! 

Lobotomy Room Goes to the Movies is the FREE monthly film club devoted to cinematic perversity! Third Thursday night of every month downstairs at Fontaine’s cocktail lounge in Dalston! Numbers are limited, so reserving in advance via Fontaine’s website is essential. Alternatively, phone 07718000546 or email bookings@fontaines.bar. The film starts at 8:30 pm. Doors to the basement Bamboo Lounge open at 8:00 pm. To ensure everyone is seated and cocktails are ordered on time, please arrive by 8:15 pm at the latest.

Full details on event page. 

The Next Lobotomy Room Film Club: Lady in a Cage (1964) on 20 July 2023

 

“Help! I am trapped in a small private elevator!” Seriously - don’t you just hate it when that happens? That’s the dilemma that befalls genteel, affluent widowed poetess Cornelia Hilyard (Olivia de Havilland). She’s recuperating from a broken hip; her son is away for the weekend – and the small private elevator in question malfunctions, leaving her trapped between floors. And just then, when Cornelia is at her most vulnerable, a gang of feral delinquents break into her home …

Berserk 1964 thriller Lady in a Cage is firmly in the post-Whatever Happened to Baby Jane? hagsploitation tradition (interestingly, the lead role was originally offered to Joan Crawford.  And the same year de Havilland co-starred opposite Bette Davis in that other hagsploitation classic, Hush … Hush, Sweet Charlotte (1964)). Won’t you join us on Thursday 20 July when the free monthly Lobotomy Room cinema club (devoted to Bad Movies for Bad People) presents Lady in a Cage? But take note of the leading lady’s warning: “Do Not See Lady in a Cage Alone! It is a shocking picture with a terrifying theme! No holds are barred in Lady in a Cage. So, take somebody along and hold onto them – for dear life!” There will be safety in numbers downstairs at Fontaine’s cocktail lounge – and stiff cocktails to steady your nerves!

 

Lobotomy Room Goes to the Movies is the FREE monthly film club devoted to cinematic perversity! Third Thursday night of every month downstairs at Fontaine’s cocktail lounge in Dalston! Numbers are limited, so reserving in advance via Fontaine’s website is essential. Alternatively, phone 07718000546 or email bookings@fontaines.bar to avoid disappointment! The film starts at 8:30 pm. Doors to the basement Bamboo Lounge open at 8:00 pm. To ensure everyone is seated and cocktails are ordered on time, please arrive by 8:15 pm at the latest.

Facebook event page.

/ Below: the truly nutty original trailer for Lady in a Cage / 

The Next Lobotomy Room Film Club: Querelle (1982) 15 June 2023

“The idea of murder often evokes the idea of sea and seafarers ...” 

Yes! To commemorate Pride month, on 15 June 2023 the FREE monthly Lobotomy Room cinema club (our motto: Bad Movies for Bad People) presents Querelle, the great maverick German filmmaker Rainer Werner Fassbinder’s 1982 screen adaptation of Querelle of Brest, French literary bad boy Jean Genet’s notorious 1953 homoerotic novel. (It was Fassbinder’s last film. He died of a drug overdose aged just 37 before it premiered). Starring rugged Brad Davis and queen of European art cinema Jeanne Moreau, Querelle is a fascinating, hallucinatory experiment, a noble failure, a powerful study of decadence and a feverish (wet) dream of a movie! And considering queer underground filmmaker Kenneth Anger recently died aged 96, we’ll be throwing in a tribute to him on the night, too! Your attendance is compulsory, Mary! 

Lobotomy Room Goes to the Movies is the FREE monthly film club devoted to cinematic perversity! Third Thursday night of every month downstairs at Fontaine’s cocktail lounge in Dalston! Numbers are limited, so reserving in advance via Fontaine’s website is essential. Alternatively, phone 07718000546 or email bookings@fontaines.bar to avoid disappointment! The film starts at 8:30 pm. Doors to the basement Bamboo Lounge open at 8:00 pm. To ensure everyone is seated and cocktails are ordered on time, please arrive by 8:15 pm at the latest. Full putrid details here. 

/ Come appreciate Brad Davis' chest pelt on 15 June! /

Further reading

The Next Lobotomy Room Film Club: The Flame of the Islands (1956) on 18 May 2023

 

Let’s face it: spring 2023 has been a grey, dismal bust so far! To remedy that, this month’s Lobotomy Room cinema club whisks you away to torrid tropical climes with a presentation of Flame of the Islands (1956) - the irresistible acme of juicy, pulpy and garish fifties b-movie melodramas via poverty row studio Republic Pictures, shot on location in the Bahamas, filmed in scorching Trucolour and starring tough, sensual and glamorous atomic-era brunette sex goddess Yvonne De Carlo! Yes – that Yvonne De Carlo, television’s Lily Munster, in what I’d argue is her best screen role (and, yes, I am including her performance as Moses’ wife in Biblical epic The Ten Commandments (1956)). 

Flame shares the same premise as many another fun campy film: a brassy good-time girl (usually some variation of “nightclub singer”) rocks-up in some exotic locale and her mere presence - and disruptive sexuality - can’t help but wreak havoc. Think of Marlene Dietrich in Seven Sinners (1940), Rita Hayworth in Miss Sadie Thompson (1953) or Jane Russell vehicles like His Kind of Woman (1951), Macao (1952) or The Revolt of Mamie Stover (1956). De Carlo gets to sing (she has two kitschy calypso musical numbers, one of which is entitled “Bahama Mama”), conceal a painful secret, fight-off unwanted romantic overtures from multiple men and pursue the man she really loves, complete with spectacular wardrobe changes (including a fluffy angora sweater that Ed Wood Jr himself would covet). So, won’t you join us for “the hottest thing in the tropics” on Thursday 18 May? 

Lobotomy Room Goes to the Movies is the FREE monthly film club devoted to cinematic perversity! Third Thursday night of every month downstairs at Fontaine’s bar in Dalston! Two drink minimum (inquire about the special offer £6 cocktail menu!). Numbers are limited, so reserving in advance via Fontaine’s website is essential. Alternatively, phone 07718000546 or email bookings@fontaines.bar to avoid disappointment! The film starts at 8:30 pm. Doors to the basement Bamboo Lounge open at 8:00 pm. To ensure everyone is seated and cocktails are ordered on time, please arrive by 8:15 pm at the latest. For more info, see the Facebook event page. 

/ Seriously, you will want to see Zachary Scott wearing this outfit! /

The Next Lobotomy Room Film Club ... Secret Ceremony (1968) on 20 April 2023

 

Prepare to be comprehensively freaked-out this April when the free monthly Lobotomy Room film club (our motto: Bad Movies for Bad People) presents the peculiar London-set late 1968 psychodrama Secret Ceremony! It's precisely the type of film John Waters would describe as a “failed art movie” – but that’s one of my favourite genres, and if you’re going to make a failed art movie, make it this wildly baroque, inscrutable and claustrophobic! 

Screen diva Elizabeth Taylor (costumed by Dior and coiffed by Alexandre de Paris) stars as Leonara, a blowzy middle-aged prostitute tormented by the death of her young daughter by drowning. One day profoundly disturbed poor little rich girl Cenci (post-Rosemary’s Baby Mia Farrow at her most waif-like) latches onto her, decides Leonara represents the return of her recently deceased mother and drags her back to her haunted art nouveau mansion in Holland Park. Once installed there, Leonora soon clashes with Albert (Robert Mitchum), Cenci’s sexually predatory stepfather. From there things just get progressively more twisted … (To put Secret Ceremony into context: the same year, Taylor and director Joseph Losey collaborated on the even more berserk Boom! (1968), the flop film based on a Tennessee Williams play - another movie I love!). 

So, won’t you join us to watch Secret Ceremony downstairs in the glittering surroundings of Fontaine’s bar in Dalston on Thursday 20 April 2023? Perhaps the £6 cocktail menu will help make Secret Ceremony more comprehensible!  Numbers are limited, so reserving in advance via Fontaine’s website is essential. Alternatively, phone 07718000546 or email bookings@fontaines.bar to avoid disappointment! The film starts at 8:30 pm. Doors to the basement Bamboo Lounge open at 8:00 pm. To ensure everyone is seated and cocktails are ordered on time, please arrive by 8:15 pm at the latest.

Read more about Secret Ceremony here. 

Next Lobotomy Room Film Club: The Star (1952) on 16 March 2023

 

/ “Never has the Hollywood story been told so frankly … so boldly … so completely! Here is every woman who ever climbed the stairway to the stars – only to find herself at the bottom, looking up!” /

/ “She fought for the power to stay on top … and almost lost the privilege and glory of being a woman!” Bette Davis and Sterling Hayden in The Star (1952) /

To commemorate “Oscar season” (full disclosure: we don’t actually care or pay attention to the Academy Awards!), on 16 March the free monthly Lobotomy Room film club presents The Star (1952)! Featuring the perennially fierce Bette Davis as Maggie Elliot, a faded fifty-something actress on the skids struggling to reignite her stalled career. “One good picture is all I need!” she screeches to her manager. Later, she confronts a parasitic sponging relative with, “Can’t you get it through your thick head that I’m broke? Dead, flat, stony broke!” 

/ “The orchids … the furs … the diamonds that were the star’s were all gone now … and nothing remained …  but the woman!” /

/ “ONLY Bette Davis – the star of stars – could accept the challenge of such a role! Only the WOMAN within her could find the penetrating insight to play it! ONLY the two-time winner of the Academy Award could give it such greatness!” /

The Star is comprehensively overshadowed by two other films where Davis played troubled ageing actresses: All About Eve (1950) and What Ever Happened to Baby Jane? (1952). But it’s one of my favourite unsung Davis performances and the film has an appealingly harsh low-budget ambiance that lends it a gritty almost documentary feel.  Years later, Davis herself would argue “I have always felt The Star was very underrated by critics and the public.” 

/  Davis with Sterling Hayden / 

And just wait until you see the camp highlight: slurring “C’mon, Oscar! Let’s you and me get drunk!” and strapping it to the steering wheel, Maggie takes her Academy Award for a drunken joyride - and winds up in a prison cell! (In a “meta” touch, the statuette in question is one of Davis’ own).  Rounding out the cast: Natalie Wood as Maggie’s daughter and hunky Sterling Hayden as a younger actor (who just may be Maggie’s romantic saviour …). And speaking of Oscars: Davis did get nominated for Best Actress for The Star (her ninth nomination), but she lost to Shirley Booth for Come Back, Little Sheba. 

/ “The story of a woman who thought she was a star so high in the sky … that no man could touch her … until she was no longer … THE STAR!” /

Lobotomy Room Goes to the Movies is the FREE monthly film club devoted to cinematic perversity! Third Thursday night of every month downstairs at Fontaine’s bar in Dalston! Two drink minimum (inquire about the special offer £6 cocktail menu!). Numbers are limited, so reserving in advance via Fontaine’s website is essential. Alternatively, phone 07718000546 or email bookings@fontaines.bar to avoid disappointment! The film starts at 8:30 pm. Doors to the basement Bamboo Lounge open at 8:00 pm. To ensure everyone is seated and cocktails are ordered in time, please arrive by 8:15 pm at the latest.

Facebook event page.

To whet your appetite ... the outrageous trailer! 

Next Lobotomy Room Film Club: This Woman is Dangerous (1952) on 19 January 2023

 

“Every inch a lady – until you look at the record! Part of her was Ritz – part of her was “racket” – all of her was exciting! Beth Austin – stylish dame with a stylish name who lived by jungle law in a big city and clawed her way to where the money was …”  

From the trailer:

 

“It’s that Austin woman!” 

“She’s front-page dynamite!” 

“How does she get away with it?” 

“Yes, they talked about this woman whose name was in the social register – and the police blotter. This lady who graced a millionaire’s mansion one night and a mobster’s hideout the next. Living dangerously, loving dangerously, she used each new romance to claw her way from the rackets to the Ritz. Into the careers of many men – into the hearts of two. One who saved life. One who took life. And she made them both pay the price of her reckless ambition.”

“A rancid melodrama” is how Joan Crawford’s biographer Bob Thomas disparages this low-rent 1952 noir crime thriller. "I must have been awfully hungry,” La Crawford herself bemoaned. “The kids were in school, the house had a mortgage. And so, I did this awful picture that had a shoddy story, a cliché script and no direction to speak of. The thing just blundered along. I suppose I could have made it better, but it was one of those times when I was so disgusted with everything that I just shrugged and went along with it. It was the worst picture I ever made." And remember - she’s including Trog (1970) in that assessment! 

In Woman, Crawford is Beth Austin, ersatz high society matron and mastermind of a criminal hold-up gang. (I love the idea of Crawford as a decorous “lady mobster” wearing little gloves and fur stoles, whose brooch matches her earrings). Oh, and did I mention Beth is wracked by headaches, at risk of going blind and urgently requires vision-saving experimental surgery? Seriously, she has a LOT on her plate! 

Is This Woman is Dangerous the worst film Crawford ever made? And what if you (like me) like “rancid melodramas?” Judge for yourself when the Lobotomy Room film club (our motto: Bad Movies for Bad People) presents This Woman is Dangerous on Thursday 19 January in the glittering Art Deco environs of Fontaine’s cocktail lounge in Dalston! 

Lobotomy Room Goes to the Movies is the FREE monthly film club devoted to cinematic perversity! Third Thursday night of every month downstairs at Fontaine’s bar in Dalston! Two drink minimum (inquire about the special offer £5 cocktail menu!). Numbers are limited, so reserving in advance via Fontaine’s website is essential. Alternatively, phone 07718000546 or email bookings@fontaines.bar to avoid disappointment! The film starts at 8:30 pm. Doors to the basement Bamboo Lounge open at 8:00 pm. To ensure everyone is seated and cocktails are ordered in time, please arrive by 8:15 pm at the latest.

Facebook event page.